Review: Donner MOD Square II for keyboards

I’m crafting a small pedal “board” to augment keyboard voices. Primarily, I want to enhance the sounds from a 1010Music Tangerine — a spiffy sampler that is rather light on internal effects (just delay and reverb). Discrete effect pedals appeal more than an all-in-one multi-effect which requires menu-diving. I want knobs and switches for interactivity.

Donner make a wide-range of inexpensive, mini pedals. We all like cheap, but how do they sound? How big are they, really, and how much do they weigh? I want my pedal board to be as small and light as possible — something that I can rest on top of a keyboard or controller.

Donner Mod Square II

I bought a Donner Mod Square II pedal in order to get a handle on these issues. For $40-$50 USD, you get a truly tiny pedal: 3.7″L x 1.7″W x 2″H. Even though it weighs only 8.8 ounces (250g), its small size makes it feel as dense as a neutron star. This little guy has heft!

Donner Mod Square II size comparison

The Mod Square II implements several modulation effects: chorus, tremolo, phaser, flanger, wah. If one’s need for chorus is merely occasional, the Mod Square II would do nicely. Given the effects on the menu, the Mod Square II is a good way to sample a wide range of Donner’s goods.

Donner Mod Square II inside

Build quality is good. The knobs have a nice amount of resistance. The foot switch is rugged. The jacks are tight and secured with a nut and washer.

The big knob turns an endless encoder and selects the effect type. It’s rugged enough although tromping on the switch might put too much force on the knob. Not a problem for me because I intend to work the pedal switches by hand. My main beef is the size of the small legends on the front panel; they are hard to read, especially in shadows. I’m not sure what Donner could do differently because this pedal is so darned small!

The sound

There are tons of on-line video reviews — for guitar. Here is my opinion about Mod Square II for electric piano, organ and clav.

As to electric piano, Mod Square II covers the basic food groups with TREM II, Chorus II, Flanger I and Phaser II being my favorites. Mod Square II offers at least two variations per major effect type: light and deep. The deep variations are too much for me. Dunno how a guitarist might feel, but I have heard some swimmy ambient music for which they might be appropriate.

As to organ, I’m quite disappointed in the Rotary effect. Not really surprised. Maybe Rotary is a Univibe simulation? It has an impossible to control throb and doesn’t sound remotely like a Leslie. For better or worse, the Rotary effect sucks down the high end and not in a displeasing way.

For organ, I’ll choose Chorus II, the deep chorus variation. Again, one cannot raise the DEPTH or RATE controls too high or you get an unappealing throb. Forget a fast rotary sound even with Chorus II.

As to clav, T Wah gets it right for funk. Auto Wah is a nice variation and sounds a little thinner/brighter than T Wah.

The other effect types like Lo-Fi, DLY+TREM and Flanger III, get into special effects territory. Lo-Fi does some serious crunch and destruction…

Verdict

I like the Donner Mod Square II. For 40 to 50 bucks, it sounds great and has several usable effect types/settings. The thing is so tiny that you could easily throw it into your gig bag (along with yet another wall wart) if you want to add some sonic sugar to your keyboard sound.

The plan

I plan to move ahead with Donner pedals for my mini-board project. My thought is to make an effects chain similar to the Yamaha CK series. The small size, quality and inexpensive price of these Donner pedals are irresistable.

The Yamaha CK effects flow looks something like:

                                                 --> DEL -->
                                                |           |
Voice --> VIB/CHO --> DRIVE --> MFX1 --> MFX2 --+-----------+--> EQ
                                                |           |
                                                 --> REV -->

Each of the CK’s parts has VIB/CHO, DRIVE, MFX1 and MFX2 stages. The delay (DEL), reverb (REV) and EQ stages are common to all parts (so-called “system effects”).

The MFX1 and MFX2 multi-effect blocks support several effect types: chorus, flanger, phaser, tremolo/rotor, distortion, compression/EQ, wah, delay, and reverb. Since there are two independent MFX blocks, the player can chain any two of these effect types. That’s pretty cool. I would be happy with only one MFX block. That’s where the Donner Mod Square II would fit.

Next up, I intend to buy and test an overdrive, delay and reverb pedal. That would be the Donner Blues Drive, Yellow Fall and Verb Square, respectively. An EQ stage could be handy, but we’ll see!

For more about my plans, see the Behringer UV300 pedal teardown.

Copyright © 2024 Paul J. Drongowski

Behringer UV300 pedal teardown

You’ve probably been wondering where I’ve been. Or, not.

My latest gedanken experiment is a small, lightweight effect chain to add chorus and reverb after the 1010Music Tangerine. Tangerine is a great little sampler, but its effects processing is very basic. An external effects chain would make up for its shortcomings.

I’m a fan of Yamaha’s approach to the stage/combo keyboards. The Stage CP, Stage YC and CK have control-studded front panels. The effect chain is laid out in plain sight and knobs/switches control the most essential parameters. Internally, a host processor reads out the knobs/switches and pokes the tone generator hardwaare pipeline.

I’d like to have a similar interface using discrete effects (AKA “guitar pedals”) instead. Guitar pedals are built to a rugged standard adding size and weight, however. Most guitar multi-FX require a lot of menu-diving and I’d like to avoid that and discrete effect units put knobs/switches on top.

I looked into modular effects first. Unfortunately, the form factor (Eurorack) isn’t what I had in mind. Plus, modular requires a +12V/-12V power supply; good old +9V center negative (“pedal standard”) is cheap and readily available.

Instead of making a floor-standing pedal board, I want a box that resides comfortably on top of a controller keyboard. Rugged build is not required and therein lies an opportunity to reduce weight.

There are so many guitar pedals on the market that it doesn’t make sense to design and build the electronics from scratch. So, why not buy a few pedals and tear them down?

Now, nobody in their right mind will buy a bunch of expensive $400 pedals for scientific experiment. I did a quick survey of the bottom-feeder pedals — Mooer, Donner and Behringer. I put a Donner mini MOD pedal on order. Meanwhile, I got the itch to tear something apart.

Behringer tear down

The one thing I will say for Behringer, you can’t beat the price! They offer a wide range of discrete effect pedals for $25-$40 USD retail. Three or four pedals will run about $100 and that ain’t bad.

While waiting for the Donner to come in, I tore down a Behringer UV300 Ultra Vibrato. I used this pedal in a different project and it was time that it gave its life for science.

Behringer UV300 bottom (PCB) and top

The UV300 comes apart without too much difficulty. If you have a Behringer pedal, you already know that the 9V battery compartment is hidden under the foot treadle. You’ve probably sworn a blue streak while trying to get the treadle back on after replacing the battery. 🙂 The 9V battery clip passes up through a hole in the main chassis top-plate. When you go to remove the plastic top, don’t forget to remove the knobs; the knobs press onto flatted potentiometer shafts.

Behringer UV300 metal bottom plate and foot treadle

Behringer pedals have some heft when you pick one up. Kind of surprising, because the chassis (case) is molded plastic. A heavy bottom-plate provides the heft. Once the metal bottom-plate is removed, the rest of the pedal assembly nearly floats away! Four screws attached the metal bottom-plate to the plastic chassis bottom-plate. The plastic bottom plate holds the printed circuit board (PCB) in place.

The foot treadle has a protruding stem on its bottom side. The stem pokes through a hole in the case top-plate and pokes a tactile switch on the PCB. Thus, Behringer gets away without a mechanical panel switch.

There you are. One could reduce a Behringer pedal of this type to its PCB and plastic bottom-plate without much difficulty thereby shedding a lot of weight. Not as compact as a custom PCB, but a few such assemblies could be housed in a small project box and are easily daisy-chained into a multi-effect with independent stages and controls.

Plus, it’s only $25 a stage!

BTW, IC1 is a CD3207GP (1024 stage BBD) and IC2 is a Coolaudio V3102D (Two-phase CMOS BBD clock generator).

Copyright © 2024 Paul J. Drongowski

October 8th — How’d that turn out?

Ableton Move

Ableton Move is a new portable, stand-alone “music creation” surface. Move has four tracks (drum, sampler, or synth) and a step sequencer. Move has audio input and output (3.5mm), built-in WiFi, 64GByte internal storage, built-in speaker and microphone, and an OLED screen (128×64 pixels). Control gizmos include 32 pads with polyphonic aftertouch, 9 touch-sensitive endless encoders and 16 multi-function buttons.

Ableton Move

Like its competition (Yamaha SEQTRAK), Move is loaded with 1,500+ preset instruments, samples and drum hits. Three instruments are preloaded: Drift, Wavetable and Drum Sampler (plus Melodic Sampler).

Each track has up to two (insert) effects with two more for the Main Track. Effects include everb, Delay, Saturator, Chorus-Ensemble, Phaser-Flanger, Redux, Channel EQ and Dynamics.

Interesting — to me and other nerds — is the 1.5GHz quad-core ARM Cortex-A72 within. Wisely, Ableton included a USB-A port which means you can hook up your class-compliant controllers to Move. I wish this kind of “HOST” capability was standard everywhere on planet Earth.

Ableton Move is 313.5mm wide, 146.3mm deep, 34mm high. That’s 12.4 inches by 5.8″ for you English types.

Of course, Ableton Live Intro is bundled and Move knows about Ableton Live (and vice versa). With portability and integrated sound-making, I could see the Ableton Move becoming the prefered low-end Ableton Live controller. I have a boatload of mini controllers. At $449 USD, I could see Ableton Move replacing them all, even if I never do the on-the-go beat-making thing.

ROLI Airwave

If you ever wanted a Theremin, maybe a ROLI Airwave?

ROLI Airwave

The ROLI Airwave lets you wave your hands about like The Amazing Kreskin, the mentalist. It connects to ROLI Piano M (formerly known as “Lumi Keys”) or ROLI Seaboard. Airwave supports gestures:

  • Air Raise: Raise your hand up or down.
  • Air Tilt: Turn your hand (rotate your wrist).
  • Air Glide: Move your hand left/right over the keys.
  • Air Slide: Move hands front to back over the keys.
  • Air Flex: Change the angle of your wrist.

Put your hands in the air like you just… Oh, never mind.

The gestural thing is kind of neat. It would be cool to conduct a virtual orchestra, not just play keys. The tech is called “ROLI Vision”: “Airwave uses infrared cameras and ROLI Vision technology to reliably track all 27 joints in each of your hands at 90 frames per second. The data is converted into MIDI in real time, giving you incredibly precise control of your musical expression.”

ROLI Airwave is $299 USD and pre-order is available. And there are bundles.

Connectivity specs:

  • 3.5mm TRS Headphone Output
  • 3.5mm TRS Pedal input
  • Two USB-C ports (data and power) plus a magnetic USB port for ROLI hardware
  • Class compliant MIDI over USB and class compliant audio interface

Copyright © 2024 Paul J. Drongowski