About pj

Now (mostly) retired, I'm pursing electronics and computing just for the fun of it! I'm a computer scientist and engineer who has worked for AMD, Hewlett Packard and Siemens. I also taught hardware and software development at Case Western Reserve University, Tufts University and Princeton. Hopefully, you will find the information on this site to be helpful. Educators and students are particularly welcome!

NAMM 2025: Yamaha updates

Welcome OS v2.0 for the Stage CP series:

  • CFX2 concert grand piano
  • Improved Bösendorfer Imperial 290
  • Eight new Live Sets for the CFX2 and Bösendorfer
  • USB HOST functionality
  • Output gain control (-24dB to +24dB)
  • Seamless Section Sound Switching in addition to SSS between Live Sets
  • Twice as many User Live Set pages (increased from 20 to 40)
  • Tap tempo delay
  • Damper resonance control

Well, OS v2.0 shoots down my conjecture about a “unified” stage keyboard platform. OS v2.0 extends the life of the existing platform, giving it the new(er) pianos introduced with Montage M. These are new additions and do not replace the existing voices.

You’ll find the CP88 OS v2.0 Sound Demo here.

The Yamaha SEQTRAK music production studio gets update OS v1.20:

  • Sample loops (Loop on/off, sample start, loop start and loop end)
  • Track mute mode
  • Sampler slot mute
  • Record count-in
  • Keyboard mode octave change
  • Quantized project playback
  • Auto copy pattern extension
  • Temp project auto-save
  • Visualizer external MIDI trigger

Blake’s Take on the SEQTRAK update is here. Also, watch the SEQTRAK OS v1.2 Tutorial.

More tomorrow — I’m going to bed. 🙂

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Korg New KRONOS

NAMM 2025 rumors and new products.

New Korg KRONOS 3

Korg have officially announced the new Korg KRONOS 3 workstation. Expected availability is June 2025, so save your pennies now. 🙂

Of course, the obligatory KRONOS 3 video introduction.

Korg New KRONOS

Here is a brief list of top features:

  • KRONOS OS Version 3.2
  • 60% faster boot time
  • 9 sound engines: HD-1, MX-20EX, STR-1, SGX-2, PolysixEX, AL-1, EP-1, CX-3, MOD-7
  • SST – Smooth Sound Transitions
  • Italian (FAZIOLI) Grand Piano Sample (EXs21 SGX-2 Italian F Piano)
  • 256 brand new programs using the new multi-samples
  • Integrated KARMA and Drum Tracks Engines
  • Enhanced 8″ SVGA (800 x 600) color TouchView Display
  • 62GB Solid State Drive (SSD)
  • PCM RAM capacity: 3GB
  • Effects galore: 16 onboard fffect processors and EQs
    • 12 Insert effects
    • 2 Master effects
    • 2 Total effects
    • 197 effect types with 783 effect presets
    • 3-band EQ for every track
  • 16-track MIDI Sequencer
  • 16-track Audio Recorder
  • USB/MIDI HOST ports for MIDI control surfaces
  • All black styling

Punters will note the faster boot time, enhanced display, 62GB SSD and 3 GB PCM RAM. These features came up repeatedly during pre-announcement discussions. I haven’t had a chance to compare polyphony specs as yet.

I also want to emphasize Korg SST — the ability to maintain notes across patch change. Current Yamaha synths have SSS (Seamless Sound Switching), but nothing equivalent for Yamaha arranger keyboards. The lack of arranger SSS comes up frequently on Yamaha forums.

There will be three models:

  • 61-key semi-weighted action, 14.2 kg / 31.31 lbs., $2,999 (MSRP)
  • 73-key RH-3 Real Weighted Hammer action, 20.4 kg / 44.97 lbs., $3,299 (MSRP)
  • 88-key RH-3 Real Weighted Hammer action, 23.4 kg / 51.59 lbs., $3,599 (MSRP)

Overall, a pretty nice answer to the Montage M. The high-end workstation and stage keyboard markets are changing, so do your homework when shopping!

Here is a link to my article about the design of the first generation KRONOS. It’ll be interesting to take a peek inside the KRONOS 3 and see what’s changed.

Copyright © 2025 Paul J. Drongowski

More NAMM 2025 products and speculation

LD Systems ANNY powered speakers

LD Systems will feature the ANNY Series of portable battery powered PA systems. There are two models: a small 8″+1″ carry-about (8.8kg) with tilt-back and a larger 10″+1″ roll-about (18kg) model. Buskers should check these out.

LD Systems ANNY 8 and ANNY 10

Both models have well-featured mix and effect capabilities. The ANNY 8 is $550 in black. You get to choose your color for a small up-charge.

Headrush FRFR GO

Yeah, the Headrush FRFR GO is intended for guitar and bass. “FRFR” means full range flat response, and keyboardists should give FRFR products a test when looking for amplification. Headrush, BTW, are part of the InMusic product conglomerate and the Headrush amps have more than a passing resemblance to models by Alesis and Alto.

Headrush FRFR GO portable amp

The FRFR Go is 30 Watts (24 Watts on battery) into two 3-inch speakers with rear bass port. No, you won’t shake the walls. However, you will save your back:

  • 12.6″ x 7.2″ x 5.9″ (32 x 15 x 18.4 cm)
  • 7.4 pounds (3.35kg)

The 1/4 inch input is LINE level because the FRFR GO expects to be driven by a direct amp modeler. Why not a line-level synth? There is a 3.5mm AUX input, too.

Controls are simple: INPUT volume, bass, treble and MAIN volume. The bass and treble allow adjustments for the room/venue. Frequency response is 75Hz to 20kHz (-10dB) and maximum SPL is 109.4dB.

The one big unanswered wish is an XLR output. Oh, to be able to use the FRFR GO as a personal monitor tied into a PA! Alto, are you listening?

Oh, yeah, $149 USD. 🙂

On-Stage, again

Still more from On-Stage.

The On-Stage OS TGA01 is a rechargeable (via USB-C) travel amp with up to seven hours playing time. It’s 4 inches tall and weighs 0.65 pounds. The TGA01 is not much bigger than tiny plug-in headphone amps.

On-Stage TGA01 portable guitar amplifier

The TGA01 drives 5 Watts into two 1.75″ full-range speakers. A button selects overdrive (OD) or clean. There are three knobs: gain, tone and volume. This baby clearly targets guitar. The TGA01 has a headphone OUT and Bluetooth IN.

On-Stage KS1335 keyboard Z stand

The KS1355 is a new single-tier keyboard Z stand:

  • Height adjustment: 20.5″ to 33.5″
  • Width adjustment: 21″ to 34″

I like the smaller width as it’s difficult to find an X stand that works with mini keyboards. Weight capacity is 400 pounds — over-kill for a mini keyboard!

No prices for the TGA01 or KS1355 at this time.

Whither new keyboards?

In a major announcement, Nord have introduced the two manual Nord Organ 3. Here’s the new stuff:

  • Enhanced B3 organ model with improved chorus/vibrato
  • Improved Farfisa and Vox organ models
  • Bass synth options (think “pedals”)
  • Rotary speaker emulation
  • British amp speaker emulation
  • Spring reverb
  • New modulation effects
  • Triple sensor keybeds
  • New front panel with OLED display

A two manual organ (37.5 pounds, 17kg) is waaaaaaay too much for me to haul around and the Nord Organ 3 will land around $3,250 USD. Still, I’m glad to see Nord innovating and leading. This will force the competition to meet the challenge and maybe I’ll get a single manual organ at a reasonable weight and price — someday.

Clavia Nord Organ 3 dual manual organ

Flash! Korg will be announcing a new updated KRONOS.

Korg New KRONOS

So, where are the other new keyboards? I’m not seeing any interesting keyboard rumors for NAMM 2025. I expect the daikaiju to feature their most recent releases:

  • Yamaha
    • SEQTRAK music production studio
    • PSR-SX720 and PSR-SX920 arranger workstations
    • CLP-800 series Clavinova digital pianos
    • EZ-310 portable keyboard
  • Korg
    • New KRONOS
    • Grandstage X stage piano
    • microKORG2 synthesize/vocoder
    • multi/poly analog modeling synthesizer
    • nanoKEY Fold foldable MIDI keyboard
    • PianoRec digital piano recorder for smart phone
  • Roland
    • Earth Piano software instrument
    • JUNO-D6, D7, D8 synthesizer
    • Bridge CAST ONE dual-bus streaming mixer
    • BOSS KATANA-MINI X, GX-10, SDE-3, etc.
  • Casio
    • AP-300 Celviano digital piano
    • AP-S200 Celviano slim profile digital piano

Yamaha are teasing new announcements to be made on January 23: winds, drums and percussion, and PRO audio. I think they will be focusing on the TransAcoustic (TAG3 C 2nd generation) guitars and the gee-whiz TA technology within. TAG3 C TransAcoustic guitars ($1,700 USD) have built-in looper, reverb, chorus and Bluetooth.

If I need to go out on a limb, I predict an upgraded Stage YC Mark 2 (YC61 mk2, YC73 mk2, YC88 mk2). I stand by my blog suggesting a unified (organ+piano) professional stage keyboard line, that is, the PRO-level niche above the CKs.

Kawai will show the ES60 entry-level slab piano. Kawai are teasing two new “groundbreaking” products.

ASM Hydrasynth 888 Units synthesizer

You won’t have any trouble spotting the orange ASM Hydrasynth Explorer 888 models. The 888s are a compact 37-key Hydrasynth with a mid-sized polyphonic keybed. We’ll find out what “mid-sized” means. The 888 Units edition is $650 USD.

Odisei Music are rolling out the electronic Travel Clarinet. The Travel Clarinet joins the successful Kickstarter Travel Sax. It has 50 internal sound presets, USB-C connectivity, battery power, and an internal reference speaker.

The Kiviak Instruments WoFI Portable Sampler Keyboard with WiFi ($800) is now shipping and is in stock.

Copyright © 2025 Paul J. Drongowski

NAMM 2025: More little things to come

NAMM Show 2025 coming up: January 21-25, 2025, Anaheim Convention Center. More new products, no rumors, no kidding.

Haken EaganMatrix Micro

Now, this is coolness. The Haken EaganMatrix Micro is a full-featured EaganMatrix sound engine in a tiny package:

  • Polyphony: Nominal 1-3, Maximum 8
  • Stereo Audio Output: 3.5mm TRS
  • EXT Connector: 3.5mm TRS
  • Seven Segment Display: Preset navigation and settings
  • USB Power: 500mA max, 190 mA average
  • USB Midi: via Mini USB connector
  • Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
  • Weight: 0.075 kg (2.6 oz)

The EXT connector can be attached to a foot pedal and can be configured for voltage conversion (Haken Audio CVC). The Mini USB connector takes power and communicates via MPE and MPE+ protocols.

Haken EaganMatrix Micro synth module

The price is $449 direct from the Haken Store (free USA shipping).

There are only a few things that give me pause. First, no 5-pin MIDI. I’m sure the Web trolls will trash this omission. Next, the polyphony is a tad underwhelming. [I smell an embedded ARM.] The EaganMatrix Micro should be fine for folks with exotic monophonic controllers, e.g., a wind controller. Lush pads are out. No battery operation (not a deal breaker, though). Finally, no USB HOST capability?

The front panel buttons are small and might be difficult to find during performance. The four digit seven segment display is 70s tech although it keeps component cost down and size small.

I’m still mining the 1010Music Tangerine, so I’m not going to rush to the EaganMatrix Micro. But, gosh, what an incredible, portable MPE engine!

Sears Silvertone Nostalgia

The Jackson Audio Silvertone Twin Trem gave me instant nostalgia for 60s high school guitar amps. It emulates the classic 1484 Twin Twelve amp and its tremolo. As the name implies, the Twin Trem has two independent tremolo circuits. $299 USD.

Silvertone Twin Trem pedal

Slivertone (Jackson Audio) also offer the Twin Twelve Pedal, $249 USD.

Jeez, I miss those days, although I don’t miss dodging hoods wanting to kick my tail after a school dance gig. 🙂

On-Stage LPT8000 Laptop Stand with USB

On-Stage just woke up with a good idea — integrate USB-A and USB Type-C ports into a laptop stand. The LPT8000 weighs 3 pounds and supports up to 11 pounds. Looks like it takes power and data from a laptop through its USB Type-C PC port and hubs them out to two Type-C ports and two USB Type-A ports. Still waiting to hear about price. [The USB-less LPT5000 is $23 street.]

OnStage LPT8000 laptop stand with USB

On-Stage also announced the OB1 Organ Bench — longer (32 inches) and taller (22 inches) than a piano bench to achieve the proper playing position for foot pedals. This thing looks sturdy as a tank with solid wood legs providing up to 330 pounds of support. So, don’t hold back on the fried chicken… The OB1 will set you back $150 USD.

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Little things

Last year we were excited to see a lot of pre-NAMM, post-pandemic product announcements. This year, not so much.

Here’s a few little things that you might have missed. NAMM 2025 is only four weeks away (January 21-25, 2025).

Behringer GO MIDI HOST

Behringer have rolled out a boatload of new products in the last few weeks:

  • WAVE 8-voice multi-timbral hybrid synthesizer (wavetable), 49 full-size keys, thank you!
  • LM Drum hybrid sampling drum machine à la Roger
  • JT Mini Analog Polyphonic Synthesis (3 voice, 3 VCOs) inspired by Jupiter
  • Phara-O Mini Analog Polyphonic Synthesizer (3 voice, 3 VCOs)

And more. Behringer are gunning for the Korg Volcas with those Minis.

Behringer GO MIDI HOST

You might have missed the smallest announcement of them all: Behringer GO MIDI HOST. Behringer joins the ranks of Kenton, DoReMIDI, CME, and other. This sucker is tiny:

  • 5-pin MIDI IN and OUT
  • Class compliant Type C Host and Power
  • Dedicated USB C power socket
  • 500 mA maximum current draw
  • 34.34 x 40.01 x 56.20mm (1.35H x 1.58W x 2.21″D)
  • 43.2 g (1.52 oz)

MIDI IN and MIDI OUT DIN connectors are on the front panel. USB HOST, POWER and RESET button are on the rear panel.

Street price is $29 USD and is available for pre-order. I will definitely be ordering one of these!

Oaktone Oakboard Mini 2 MIDI Controller

Oaktone is not a name that readily springs to mind when discussing MIDI controllers.

Oaktone Mini 2 rugged MIDI controller

The Oakboard Mini 2 is a small six button controller for playback control, e.g., launching music cues and other playback chores:

  • Launch music cues
  • Works with Ableton Live
  • Die-cast, aluminum case
  • Backlit silicone buttons, tactile feel
  • Play button can blink in sync with MIDI clock
  • USB-C data and power port on the rear panel
  • Includes Taz Lite cue-launching plug-in for Live
  • 0.9″H x 4.7″W x 3.7″D L (23 x 119 x 94mm)
  • 9.3oz (236g)

The keyword here is “rugged.” Oaktone emphasize dependability.

The Oaktone Oakboard Mini 2 is $229 MSRP.

Copyright © 2024 Paul J. Drongowski

Yamaha NAMM 2025 pre-show announcements

Christmas time is near! That means pulling together a boatload of music for Christmas services and — NAMM 2025 anticipation (Anaheim Convention Center, January 23-25, 2025). Can you think of a better season than Advent for anticipation?

Yamaha have made two pre-show announcements via PR Newswire. It’s the usual puff-speak and the usual quote or two from a Yamaha exec. Here’s the actual information.

Yamaha will have an array of breakthrough products across categories like guitars, drums and percussion, and keyboards on display at this year’s show — including featured products such as the newly-launched TAG3 C TransAcoustic Guitar, YEV Pro Electric Violin, and SEQTRAK designed for composing and performing electronic music from anywhere.

The event will feature live performances from Jack White at the TEC Awards, Jacob Collier at NAMM’s Grand Rally for Music Education and an appearance from Peter Frampton at the NAMM Global Media Day.

Singer, songwriter, guitarist and producer Jack White will headline the NAMM TEC Awards, where he will receive NAMM’s TEC Innovation Award. TEC stands for “Technical Excellence and Creativity.” TEC Awards recognize the people, companies and technical innovations behind recordings, live performances, films, television, video games and multimedia. Peter Frampton, BTW, is also a TEC Award recipient.

With the spotlight on Jack White and Peter Frampton, I smell a guitar-centered NAMM 2025 from Yamaha.

On the professional front, I’m taking the time to listen to our group during live services. Our church has a few acoustic challenges and I’m hoping to make our mix and congregational singing better. I made a quick recording a few Sundays ago which was quite revealing. Unlike some modern “warehouse” church halls with zingy acoustics, our church is carpeted and the pews are upholstered — dead, dead, dead. Here, I’ve been cutting back reverb on my patches when more reverb might be helpful! All of the cloth is killing high end frequencies and accentuating the kick drum. Oh, my.

Copyright © 2024 Paul J. Drongowski

Want vs. need: Yamaha Seqtrak

It doesn’t cost anything to window shop!

With the holiday selling season in full swing, I took another look at Yamaha Seqtrak. Ya never know when a bargain might present itself, so it’s good to be ready. 🙂

Seqtrak is Yamaha’s low cost alternative to the all-in-one Teenage Engineering OP-1 — a battery-powered synthesizer, sampler and sequencer. The price is much sweeter, $399 USD (MAP/street), than Teenage Engineering.

I’ve been hesitant to chomp on Seqtrak because I don’t really need a groove box. Yeah, it might provide fun occasionally, but it doesn’t really fulfill a need for what I play live (mainly keyboard emulation of acoustic instruments).

A few postings on Yamaha Musicians Forum motivated me to investigate further, however. Seqtrak implements two forms of synthesis: AWM2 and FM. At first, the AWM2 support sounds like a yawner. Guess what? The AWM2 sound set is pretty much the Motif XF (MOXF) factory sounds! That ain’t chopped liver.

The Seqtrak DX FM implementation is the same as the Reface DX. Even though it’s a four-OP implementation, feedback is supported on any OP, yielding a harmonically richer sound than four-OP of yesteryear. Both DX FM and AWM2 synths can be routed into a robust collection of DSP effects, including rotary speaker, VCM effects and HD reverb.

I wish the Seqtrak DX FM editor supported the Reface DX. It is one nice editor.

Thus, $399 buys a three channel (two synth, one DX FM) battery-powered MIDI module supporting DX FM and Motif XF synthesis. That’s quite a bargain when Reface DX alone costs $400 or so on a typical day.

As an expander, my main quibble is usage model. Seqtrak does not have a display showing the currently selected voice. I can’t tolerate that level of uncertainty during a live performance. The Seqtrak app controls all, but it means schlepping another piece (iPad) to the gig and making everything work live.

Still, it’s enticing. A case of want over need.

Seqtrak inside

What’s inside that tiny box? Thanks to a brave soul on LoopyPro, we get the picture.

Seqtrak consists of three printed circuit boards (PCB): a front panel board which runs most of the length of the chassis, a large digital electronics board mounted in parallel with the front panel board, and a small analog electronics board near the battery and speaker. The analog electronics board has connectors for USB-C, PHONES, AUDIO IN and MIDI.

SeqTrak printed circuit boards

The main event is the digital electronics board, usually called “DM” in Yamaha-speak. In this picture, we are looking at the bottom of the board. The top of the board — sometimes called the “component side” — is obviously out of view. The three large rectangular integrated circuits (IC) are SDRAM (e.g., Winbond W9825G6KH-6 256Mbit Parallel 166 MHz, typically organized as 32MBytes). The specially labelled IC is (likely) a Winbond 256Mbit (32MByte) NOR flash ROM containing the Seqtrak code.

The memory ICs surround the foil pattern for a Yamaha proprietary SWX processor. I’m guessing SWX09 or SWX10. SWX combines an ARM core with AWM2 tone generation and DSP effect processors. Seqtrak implements DX FM because only SWP70 implements FM-X. Low cost devices like Seqtrak usually employ a single, highly integrated SWX and do not include a separate SWP70 tone generator.

There may be additional memory devices on the component side of the DM board. The battery is a 3.6V 2100mAh Li-ion battery.

Copyright © 2024 Paul J. Drongowski

Review: Donner MOD Square II for keyboards

I’m crafting a small pedal “board” to augment keyboard voices. Primarily, I want to enhance the sounds from a 1010Music Tangerine — a spiffy sampler that is rather light on internal effects (just delay and reverb). Discrete effect pedals appeal more than an all-in-one multi-effect which requires menu-diving. I want knobs and switches for interactivity.

Donner make a wide-range of inexpensive, mini pedals. We all like cheap, but how do they sound? How big are they, really, and how much do they weigh? I want my pedal board to be as small and light as possible — something that I can rest on top of a keyboard or controller.

Donner Mod Square II

I bought a Donner Mod Square II pedal in order to get a handle on these issues. For $40-$50 USD, you get a truly tiny pedal: 3.7″L x 1.7″W x 2″H. Even though it weighs only 8.8 ounces (250g), its small size makes it feel as dense as a neutron star. This little guy has heft!

Donner Mod Square II size comparison

The Mod Square II implements several modulation effects: chorus, tremolo, phaser, flanger, wah. If one’s need for chorus is merely occasional, the Mod Square II would do nicely. Given the effects on the menu, the Mod Square II is a good way to sample a wide range of Donner’s goods.

Donner Mod Square II inside

Build quality is good. The knobs have a nice amount of resistance. The foot switch is rugged. The jacks are tight and secured with a nut and washer.

The big knob turns an endless encoder and selects the effect type. It’s rugged enough although tromping on the switch might put too much force on the knob. Not a problem for me because I intend to work the pedal switches by hand. My main beef is the size of the small legends on the front panel; they are hard to read, especially in shadows. I’m not sure what Donner could do differently because this pedal is so darned small!

The sound

There are tons of on-line video reviews — for guitar. Here is my opinion about Mod Square II for electric piano, organ and clav.

As to electric piano, Mod Square II covers the basic food groups with TREM II, Chorus II, Flanger I and Phaser II being my favorites. Mod Square II offers at least two variations per major effect type: light and deep. The deep variations are too much for me. Dunno how a guitarist might feel, but I have heard some swimmy ambient music for which they might be appropriate.

As to organ, I’m quite disappointed in the Rotary effect. Not really surprised. Maybe Rotary is a Univibe simulation? It has an impossible to control throb and doesn’t sound remotely like a Leslie. For better or worse, the Rotary effect sucks down the high end and not in a displeasing way.

For organ, I’ll choose Chorus II, the deep chorus variation. Again, one cannot raise the DEPTH or RATE controls too high or you get an unappealing throb. Forget a fast rotary sound even with Chorus II.

As to clav, T Wah gets it right for funk. Auto Wah is a nice variation and sounds a little thinner/brighter than T Wah.

The other effect types like Lo-Fi, DLY+TREM and Flanger III, get into special effects territory. Lo-Fi does some serious crunch and destruction…

Verdict

I like the Donner Mod Square II. For 40 to 50 bucks, it sounds great and has several usable effect types/settings. The thing is so tiny that you could easily throw it into your gig bag (along with yet another wall wart) if you want to add some sonic sugar to your keyboard sound.

The plan

I plan to move ahead with Donner pedals for my mini-board project. My thought is to make an effects chain similar to the Yamaha CK series. The small size, quality and inexpensive price of these Donner pedals are irresistable.

The Yamaha CK effects flow looks something like:

                                                 --> DEL -->
                                                |           |
Voice --> VIB/CHO --> DRIVE --> MFX1 --> MFX2 --+-----------+--> EQ
                                                |           |
                                                 --> REV -->

Each of the CK’s parts has VIB/CHO, DRIVE, MFX1 and MFX2 stages. The delay (DEL), reverb (REV) and EQ stages are common to all parts (so-called “system effects”).

The MFX1 and MFX2 multi-effect blocks support several effect types: chorus, flanger, phaser, tremolo/rotor, distortion, compression/EQ, wah, delay, and reverb. Since there are two independent MFX blocks, the player can chain any two of these effect types. That’s pretty cool. I would be happy with only one MFX block. That’s where the Donner Mod Square II would fit.

Next up, I intend to buy and test an overdrive, delay and reverb pedal. That would be the Donner Blues Drive, Yellow Fall and Verb Square, respectively. An EQ stage could be handy, but we’ll see!

For more about my plans, see the Behringer UV300 pedal teardown.

Copyright © 2024 Paul J. Drongowski

Behringer UV300 pedal teardown

You’ve probably been wondering where I’ve been. Or, not.

My latest gedanken experiment is a small, lightweight effect chain to add chorus and reverb after the 1010Music Tangerine. Tangerine is a great little sampler, but its effects processing is very basic. An external effects chain would make up for its shortcomings.

I’m a fan of Yamaha’s approach to the stage/combo keyboards. The Stage CP, Stage YC and CK have control-studded front panels. The effect chain is laid out in plain sight and knobs/switches control the most essential parameters. Internally, a host processor reads out the knobs/switches and pokes the tone generator hardwaare pipeline.

I’d like to have a similar interface using discrete effects (AKA “guitar pedals”) instead. Guitar pedals are built to a rugged standard adding size and weight, however. Most guitar multi-FX require a lot of menu-diving and I’d like to avoid that and discrete effect units put knobs/switches on top.

I looked into modular effects first. Unfortunately, the form factor (Eurorack) isn’t what I had in mind. Plus, modular requires a +12V/-12V power supply; good old +9V center negative (“pedal standard”) is cheap and readily available.

Instead of making a floor-standing pedal board, I want a box that resides comfortably on top of a controller keyboard. Rugged build is not required and therein lies an opportunity to reduce weight.

There are so many guitar pedals on the market that it doesn’t make sense to design and build the electronics from scratch. So, why not buy a few pedals and tear them down?

Now, nobody in their right mind will buy a bunch of expensive $400 pedals for scientific experiment. I did a quick survey of the bottom-feeder pedals — Mooer, Donner and Behringer. I put a Donner mini MOD pedal on order. Meanwhile, I got the itch to tear something apart.

Behringer tear down

The one thing I will say for Behringer, you can’t beat the price! They offer a wide range of discrete effect pedals for $25-$40 USD retail. Three or four pedals will run about $100 and that ain’t bad.

While waiting for the Donner to come in, I tore down a Behringer UV300 Ultra Vibrato. I used this pedal in a different project and it was time that it gave its life for science.

Behringer UV300 bottom (PCB) and top

The UV300 comes apart without too much difficulty. If you have a Behringer pedal, you already know that the 9V battery compartment is hidden under the foot treadle. You’ve probably sworn a blue streak while trying to get the treadle back on after replacing the battery. 🙂 The 9V battery clip passes up through a hole in the main chassis top-plate. When you go to remove the plastic top, don’t forget to remove the knobs; the knobs press onto flatted potentiometer shafts.

Behringer UV300 metal bottom plate and foot treadle

Behringer pedals have some heft when you pick one up. Kind of surprising, because the chassis (case) is molded plastic. A heavy bottom-plate provides the heft. Once the metal bottom-plate is removed, the rest of the pedal assembly nearly floats away! Four screws attached the metal bottom-plate to the plastic chassis bottom-plate. The plastic bottom plate holds the printed circuit board (PCB) in place.

The foot treadle has a protruding stem on its bottom side. The stem pokes through a hole in the case top-plate and pokes a tactile switch on the PCB. Thus, Behringer gets away without a mechanical panel switch.

There you are. One could reduce a Behringer pedal of this type to its PCB and plastic bottom-plate without much difficulty thereby shedding a lot of weight. Not as compact as a custom PCB, but a few such assemblies could be housed in a small project box and are easily daisy-chained into a multi-effect with independent stages and controls.

Plus, it’s only $25 a stage!

BTW, IC1 is a CD3207GP (1024 stage BBD) and IC2 is a Coolaudio V3102D (Two-phase CMOS BBD clock generator).

Copyright © 2024 Paul J. Drongowski

October 8th — How’d that turn out?

Ableton Move

Ableton Move is a new portable, stand-alone “music creation” surface. Move has four tracks (drum, sampler, or synth) and a step sequencer. Move has audio input and output (3.5mm), built-in WiFi, 64GByte internal storage, built-in speaker and microphone, and an OLED screen (128×64 pixels). Control gizmos include 32 pads with polyphonic aftertouch, 9 touch-sensitive endless encoders and 16 multi-function buttons.

Ableton Move

Like its competition (Yamaha SEQTRAK), Move is loaded with 1,500+ preset instruments, samples and drum hits. Three instruments are preloaded: Drift, Wavetable and Drum Sampler (plus Melodic Sampler).

Each track has up to two (insert) effects with two more for the Main Track. Effects include everb, Delay, Saturator, Chorus-Ensemble, Phaser-Flanger, Redux, Channel EQ and Dynamics.

Interesting — to me and other nerds — is the 1.5GHz quad-core ARM Cortex-A72 within. Wisely, Ableton included a USB-A port which means you can hook up your class-compliant controllers to Move. I wish this kind of “HOST” capability was standard everywhere on planet Earth.

Ableton Move is 313.5mm wide, 146.3mm deep, 34mm high. That’s 12.4 inches by 5.8″ for you English types.

Of course, Ableton Live Intro is bundled and Move knows about Ableton Live (and vice versa). With portability and integrated sound-making, I could see the Ableton Move becoming the prefered low-end Ableton Live controller. I have a boatload of mini controllers. At $449 USD, I could see Ableton Move replacing them all, even if I never do the on-the-go beat-making thing.

ROLI Airwave

If you ever wanted a Theremin, maybe a ROLI Airwave?

ROLI Airwave

The ROLI Airwave lets you wave your hands about like The Amazing Kreskin, the mentalist. It connects to ROLI Piano M (formerly known as “Lumi Keys”) or ROLI Seaboard. Airwave supports gestures:

  • Air Raise: Raise your hand up or down.
  • Air Tilt: Turn your hand (rotate your wrist).
  • Air Glide: Move your hand left/right over the keys.
  • Air Slide: Move hands front to back over the keys.
  • Air Flex: Change the angle of your wrist.

Put your hands in the air like you just… Oh, never mind.

The gestural thing is kind of neat. It would be cool to conduct a virtual orchestra, not just play keys. The tech is called “ROLI Vision”: “Airwave uses infrared cameras and ROLI Vision technology to reliably track all 27 joints in each of your hands at 90 frames per second. The data is converted into MIDI in real time, giving you incredibly precise control of your musical expression.”

ROLI Airwave is $299 USD and pre-order is available. And there are bundles.

Connectivity specs:

  • 3.5mm TRS Headphone Output
  • 3.5mm TRS Pedal input
  • Two USB-C ports (data and power) plus a magnetic USB port for ROLI hardware
  • Class compliant MIDI over USB and class compliant audio interface

Copyright © 2024 Paul J. Drongowski