Tag Archives: littleBits Envelope

littleBits for audio mods?

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Here are a few experiments testing littleBits audio post-processing. In the first few cases, audio is produced by a Yamaha SHS-500 synthesizer fed into the LINE IN of a littleBits Microphone module. Outgoing audio is sent through a littleBits Speaker module connected to an external amplified speaker.

I did not draw the littleBits Power module into every example circuit. If you’re experimenting at home, hey, “One, Two, you know what to do…”

The first circuit filters incoming audio:

          PowerSnap 
              | 
              V 
           Envelope <-- Button <-- PowerSnap 
              | 
              V 
    Mic --> Filter --> Speaker

The Filter modulation input is driven by a littleBits Envelope module. The (audio) input of the Envelope is connected to a littleBits PowerSnap which supplies a constant +5 Volts to the input of the Envelope. A littleBits Button module is connected to the Envelope’s trigger input. (The second PowerSnap assures a full 5 Volt ON signal through the Button.) The Envelope sweeps from 0 to 5 Volts when the Button is pressed. Of course, the Envelope is shaped by its attack and release settings.

The first circuit operates successfully. The audio is filtered according to the Filter’s cut-off and resonance settings. The Filter quacks (a very scientific term!) when the Button is pushed.

The second circuit replaces the Button with a littleBits Pulse module:

          PowerSnap 
              | 
              V 
           Envelope <-- Pulse <-- PowerSnap 
              | 
              V 
    Mic --> Filter --> Speaker

The Pulse module repeatedly sends a trigger signal to the Envelope module. The triggers cause the Filter to quack correctly. However, there is an audible click when the Pulse module fires — even if no audio is playing. This noise is unacceptible and I don’t know why it is occurring. Power glitches perhaps?

At this point, I began experimenting with the littleBits Threshold module. The (third) simple test circuit below:

    Power --> Dimmer --> Threshold --> Number

demonstrated that my intuition about the Threshold behavior is correct: when the voltage into the Threshold exceeds the threshold setting, the Threshold turns ON and outputs +5 Volts. When the input voltage falls below the threshold setting, the Threshold output turns OFF (0 Volts).

Testing tip: The Number module has a “Voltage” setting in which Number displays the incoming input voltage. You can use a Number module as an in-circuit volt meter.

Given that, I couldn’t determine why the Threshold was not acting like a gate generator when driven by a littleBits audio signal, i.e., driven by the Microphone module in its “Sound” setting. Turns out, the littleBits Microphone module converts the incoming LINE IN signal into its own notion of audio — a signal centered around 2.5 Volts. I connected a Bargraph (or Number) module to the output of Microphone, and indeed, the Microphone sends 2.5 Volts when the audio is silent.

Arg! Once again bitten by the lack of signal documentation! When the Microphone is in its “Other” setting, it converts the input signal to swing from 0 to 5 Volts. Bad news, however. The Speaker module expects audio in the 2.5 Volt centered, littlebits convention and it distorts like a bandit when driven with the “Other” setting.

The 2.5 Volt convention also explains why some folks have observed only a 2.5 Volt sweep in the Envelope output. All of this has serious implications when mixing audio and control signals in littleBits. I need to think about this for a while…

The fourth test circuit demonstrates filtering of regular line level audio:

                              Powered Speaker 
                                  LINE IN 
                                     | 
    Power --> Proto --> Filter --> Proto 
                | 
           Synthesizer 
            LINE OUT

This circuit filters incoming audio. Fortunately, the 2.5 Volt convention does not preclude a simplified signal chain, that is, a chain omitting the littleBits Microphone and Speaker modules. A filter is a filter is a filter, I guess.

Although the Filter module operates on a “regular” audio signal, the Delay module does not. Substituting the Delay module into the fourth test circuit produces nasty noise and a whine. It will process the audio (you can hear repeats, etc.), but the noise/whine is horrible. Screams like a banshee. Bummer.

Bottomline, the littleBits Filter module has potential as an add-in for a PSS-A50 mod (or any other mod) without Microphone and Speaker modules. The littleBits Delay is simply too noisy by itself; one needs the Microphone and Speaker to perform signal conversion. As to the Filter, I need to explore alternatives for modulation. Experiments with using the Oscillator module as an LFO were underwhelming. So far, I haven’t successfully cobbled together an envelope following or audio-trigger envelope. Stay tuned.

Interested in littleBits synth control signals?

Copyright © 2021 Paul J. Drongowski

littleBits envelope generator

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In my last post, I investigated the gated CV signal produced by the littleBits MIDI Module. Now, let’s take a look at the Envelope Module.

littleBits Envelope Module

The littleBits Envelope Module is rather basic with only attack and release controls (no decay or sustain controls). The module has two inputs:

  • The primary input at the left end of the module typically receives the audio to be shaped by the envelope.
  • The trigger input receives an (alternative) trigger signal.

The Envelope Module triggers in one of two ways:

  • When the primary input transitions from zero to a positive voltage.
  • When the trigger input transitions from zero to a positive voltage, usually 5 Volts.

Allowing the primary input to trigger envelope generation simplifies connection. It is also easier to use conceptually. A beginner doesn’t need to understand envelope generators, voltage controlled amplifiers and how the two interact. A beginner doesn’t need to wire in a separate envelope generator. Everything happens along a single audio signal path and “it just works.”

The simple circuit below is all one needs to get started with synthesis:

    Power --> MIDI --> Oscillator --> Envelope --> Speaker

If you have is the basic Synth Kit, then the MIDI Module may be replaced by the Sequencer Module or Keyboard Module. As we saw in the last post, the Gated CV output from the MIDI Module turns the oscillator ON and OFF (gate) and sets the oscillator pitch (CV). When the Oscillator is generating audio, the audio signal triggers the Envelope Module which shapes the audio amplitude. The shaped audio (now with attack and release segments) is finally sent to the speaker.

I connected this simple circuit to a dual trace oscilloscope. I found that the attack and release phases are sequential without an intervening sustain phase. The duration of the entire envelope is the sum of the attack duration and release duration. There isn’t a decay phase either. In other words, holding the gated CV longer does not sustain a note! The maximum duration of the attack phase is about 1 second and the maximum duration of the release phase is about 2 seconds.

Envelope Module in action (max attack and max release)

The oscilloscope traces above show the final, shaped audio signal when attack and release are set to maximum. [Click images to enlarge.] The top trace (green) is the gated CV signal from the MIDI Module. The bottom trace (red) is the shaped audio signal. Each horizontal grid mark is 0.5 seconds. Please note that the gate must be as wide as the attack duration plus the release duration to obtain the full contour.

littleBits Filter Module

Skipping ahead to the Filter Module for a moment, the Filter has an input which allows cutoff frequency modulation. In a typical modular synth, this input is tied to a separate envelope generator. In keeping with the littleBits “It just works” philosophy, you can drive the cutoff input with the audio signal as seen in the circuit below:

                                                ---- 
                                               |    | 
                                               |    V 
   Power --> MIDI --> Oscillator --> Envelope --> Filter --> Speaker

Yes, this actual works as shown in the oscilloscope traces below. The top trace is the gated CV signal from the MIDI Module. The bottom trace is the output of the Envelope Module which is connected to the Filter cutoff modulation input.

Modulating the filter with envelope shaped audio

littleBits envelope generator

I’ll bet that you’re wondering if the littleBits Envelope Module can be made into a conventional envelope generator. So did I. It would be great to have a conventional synthesis chain with separate envelopes for amplitude and filter with separate attack/release (AR) controls for each envelope.

Here’s one experimental solution:

               --> MIDI IN  --> Oscillator --> Filter --> Speaker 
              |       |                           ^ 
    Power --> |       | Trigger                   | 
              |       V                           | 
               --> Envelope ----------------------

If you have a second Envelope Module, you can insert it between the Filter and Speaker Modules, forming a conventional OSC→VCF→VCA chain. I have only one Envelope Module and built the circuit shown above. I used a littleBits Split Module to send the Power output to the MIDI Module and Envelope Module. This is the ideal situation for powerSnaps, if you got ’em.

littleBits Power Module (old model)

How does this circuit work? The Power Module provides the +5V and ground power rails, of course. The Power signal output is tied to 5V. Thus, the Envelope Module sees a constant 5V signal at its primary input. The littleBits MIDI Module triggers the Envelope module. The envelope generator inside the Envelope Module triggers and shapes the constant +5V input signal into the familiar attack and release envelope contour.

Output from the “pure” envelope generator circuit

The oscilloscope traces above show the gated CV signal (top/green trace) and the output from the Envelope Module (bottom/red trace). Yep, the final audio sounds exactly as expected having the familiar wah-wah filter funk. The final audio sounds cleaner when the filter cut-off frequency is modulated by the “pure” envelope generator.

One final detail. The internal littleBits envelope generator is based on a 555 timer circuit. If you’re curious about the internal design of this or any of the littleBits modules, be sure to visit the littleBits Eagle file repository where you will find schematics.

Copyright © 2020 Paul J. Drongowski