So. KMI QuNexus RED. What happened?

Ever since I started playing SWAM software instruments on iPad, I wanted to begin experimenting with MIDI Polyphonic Expression (MPE). Like most folks on a budget, I established a price threshold — $200 or less — and cast around for likely candidate controllers. $200 is a bit more than “impulse purchase.” $300 is definitely too much for a trial. (Sorry Lumi.)

A note on budget, toys and reviews. I don’t get free products for review. Like you, I spend my hard-earned cash. No B.S., here.

I considered using an iPad app like GeoShred, but screen-based controllers don’t have the tactile feel of a physical instrument. I tried the Roli 5D app, too, and found the virtual keyboard to be too small for my fat fingers, although I get why people dig Seaboard.

There are several “alternative” controllers implementing MPE and I decided against them. Give me keys or at least a keypad. Budget and key considerations narrow the field of candidates considerably.

Keith McMillen and Keith McMillen Instruments have been designing and making electronic instruments for 35+ years. They offer two products for $200 or less: QuNexus RED ($199USD MAP) and K-Board-C ($119USD MAP). The two models are physically similar: a small form factor (12.8″ by 3.3″), a two octave keypad, a group of control buttons to the left of the keypad and USB-C connectivity.

The QuNexus is the older and more capable brother to the K-Board-C. QuNexus sports additional connectivity options including control voltage (CV) IN/OUT and a MIDI expansion port. KMI supply a compatible 5-pin MIDI expansion dongle with the QuNexus. The extra connectivity swayed me in favor of the QuNexus over the K-Board-C. The QuNexus is smarter, too, and has a multi-track sequencer, arpeggiator, etc.

A word about styling. I love the K-Board-C colors. I may need to buy one just because they are so cute. A number of on-line reviews complain about the QuNexus RED. In person, the RED is more “grapefruit orange” than “fire truck.” It’s rather attractive and I wouldn’t let the color put you off.

I purchased QuNexus RED from Patchwerk‘s in Seattle. Delivery was delayed by snow, so I was very excited when it finally arrived. I played QuNexus with Korg Module and Audio Modeling SWAM Flute.

The keys and buttons resemble fat chicklets. They have a pleasant, solid feel. They are not squishy in the way Roli Seaboard is squishy. There’s a fair bit of resistance. I have several concerns with the keypad:

• Its short width precludes two-fisted playing.
• The sharp/flat keys are not raised, i.e., higher than the “white” keys.
• The key layout and size conspires against certain chord fingerings, e.g., playing F# and A together with my 3rd and 5th fingers didn’t work for my hand.

Of course, one shouldn’t be surprised by these concerns; just look at a picture or two.

If you’ve read some of my other posts, you’ll know that two octaves is not enough. I played Christmas music while testing and found myself out of keys at the bottom and at the top. If a manufacturer must make a two octave keyboard, I strongly recommend an F-to-F layout which better covers the range of the human voice (most melodies).

Knowing all that, I was fully prepared to shed with QuNexus. Being no stranger to mini-keys, I quickly learned to play melody lines without looking down at my hands. Although the QuNexus fits neatly on one’s lap (angled for comfort), it is more at home on a desktop.

QuNexus has four preset configurations. The first two configurations (non-MPE) worked quite well in Korg Module and SWAM Flute. The third configuration implements MPE. I tested the first three configurations in SWAM Flute. I did not test the fourth configuration, drums.

Again, the first two non-MPE configurations played well with SWAM Flute. MPE (the third configuration) was a bit alarming. SWAM Flute responded to all gestures, but the response to tilt (mapped to flute flutter) was too much right out of the box. As to tilt, the key pads seemed to be rooted at the bottom. Striking and holding keys near the bottom tamed tilt and the flutter. Playing and pressing near the top of the keys brought in much more tilt. Clearly, this is going to take some practice!

So. KMI QuNexus RED. What happened?

My QuNexus suffered from a few sensor defects that made it unusable. Three keys (Eb, A and middle C) spontaneously triggered ON or would trigger with the slightest touch. The notes did not turn OFF by themselves. (All verified using MIDI OX.) The end result was random stuck notes. Unacceptable.

I contacted KMI support and they very quickly analyzed the problem as a “hot sensor.” Well, I’d say there are three hot sensors. To their credit, KMI offered a replacement should I not get a quick turn-around response from Patchwerks. Patchwerks came through. Both companies deserve props for customer service.

In the end, I returned the QuNexus for a refund. I agonized over this decision. My policy (philosophy?) in regard to key-related issues is to pass on a replacement unit which possibly comes from the same production run.

Will I give KMI another try in the future? Yes. The K-Board-C is closer to “impulse purchase” and the colors are gorgeous. I will go in wiser knowing that I will need to woodshed in order to play melodies with confidence on a K-Board-C . Also, I will need to tweeze and tweak MPE parameter sensitivity to match controller with synthesizer (and vice versa). When we play an ax like MODX, KRONOS, etc., professional sound designers have done the tweaking for us. When starting with MPE, expect to do some work.

I need to mention another reason to choose KMI. KMI and GeoShred are offering discounts on GeoShred and GeoSWAM for K-Board Pro 4, QuNexus and K-Board-C users. Discount codes are provided by KMI. The offer is good Nov 20, 2022 to Nov 20, 2023. See this video for details.

Live, learn and prosper. Happy New Year!

Copyright © 2023 Paul J. Drongowski