Category Archives: Music technology

Smart Pianist, CSP and ChordPro

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Yamaha repurposes hardware and software technology all the time. The Yamaha CSP series digital pianos (CSP-100 series and CSP-200 series) and Smart Pianist borrow a lot of technology from the Yamaha Genos and PSR arrangers. Yamaha Chord Tracker users know that Smart Pianist also has Chord Tracker technology inside.

Chord Tracker provides a number of Smart Pianist-like features. Chord Tracker analyzes an audio song, extracts its chords, and displays the chords in a chart. Like Smart Pianist, Chord Tracker follows the chord chart while playing back the original audio file. Pretty much anyone can use Chord Tracker in this way to figure out the chords to a song and play along.

Genos and PSR arranger people, however, get extra goodies. Chord Tracker can send the chords to the arranger for playback. Even better, you get to choose the accompaniment style. Want to re-imagine a song as a country tune? You can do it.

Extended ChordPro

Chord Tracker sends the chords to an arranger in a Standard MIDI File (SMF). Instead of notes, the chords are represented in Yamaha System Exclusive MIDI messages.

When I analyzed the file format and chord messages, my first thought was “ChordPro”!

You’ve probably seen ChordPro on the Interwebs. It’s that simple text format for song lyrics and chords. I extended ChordPro adding a few new features to make musical time explicit and precise. (Original ChordPro relies on the musician for time.) Then I wrote a Java program to translate an Extended ChordPro song to an SMF suitable for playback on a Yamaha arranger. Check out an Extended ChordPro demo.

Playback ChordPro Example

Well, guess what? Smart Pianist and CSP-170 can play back SMFs generated from Extended ChordPro songs.

Here is a short ChordPro snippet for Steve Winwood’s “Can’t Find My Way Home”.

{t: Can't Find My Way Home}
{key: D}
{artist:Blind Faith}
{time: 4/4}
# Style: SongwriterBallad (stylecode: 5980)
{stylecode: 5980}
{tempo: 96}

{start_accomp}

# Introduction
[C][*IA]
{c: Introduction}
[Csus2:2][*MB] ---- [G/B:2] ---- [Gm/Bb:2] ---- [D/A:2] ---- 
[F:2] ---- [G:2] ---- [D] --------
[Csus2:2] ---- [G/B:2] ---- [Gm/Bb:2] ---- [D/A:2] ---- 
[F:2] ---- [G:2] ---- [D][*FB] --------

{c: Verse 1}
Come [Csus2:2][*MB] down off your [G/B:2] throne, and 
[Gm/Bb:2] leave your body a- [D/A:2] -lone.
[F:2] Some- [G:2] -body must [D] change.
[Csus2:2] You are the rea- [G/B:2] -son, I've been
[Gm/Bb:2] waiting so [D/A:2] long.
[F:2] Some- [G:2] -body holds the [D][*FC] key.

An Extended ChordPro song begins with a header containing the title, artist, key, tempo, time signature and auto-accompaniment style. After the header, you hit the {start_accomp} directive which tells the arranger (Genos, PSR or CSP) to start playing.

The rest of the Extended ChordPro file consists of chords, e.g., 

    [C]   [Csus2:2]   [G/B:2]   [Gm/Bb:2] ...

section control directives, e.g.,

    [*IA]  [*MB]   [*FC] ...

and lyrics (plain text). Oh, yeah, you can throw in comments, too, e.g.,

    {c: Introduction}
    {c: Verse 1}

The Java program (cp2mid) translates the chords, directives and lyrics into an arranger-ready Standard MIDI File.

So, what do we get after we import the SMF into Smart Pianist? The screenshot above [click to enlarge] is the score. The chord symbols and lyrics appear with the staves. There aren’t any notes because the SMF doesn’t have any notes; it’s contains only chords and lyrics.

The chord chart looks familiar. But, hey! Smart Pianist display lyrics interspersed with chords. I never saw Chord Tracker do that.

The final screenshot shows the lyrics alone. All of those dashes (“—-“) come from the Extended ChordPro song. They are placeholders during instrumental interludes.

Summary

Today’s example demonstrates a different way to use Smart Pianist and CSP digital pianos. If you own both a Yamaha arranger workstation and a CSP, you should be able to transfer Chord Tracker SMFs to Smart Pianist and the CSP.

If you want to know more about Extended ChordPro and its implementation, please see:

Copyright © 2025 Paul J. Drongowski

Smart Pianist: MIDI song tutorial

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I have an extensive collection of MIDI songs that are tweaked for the PSR-S950 and Genos (gen 1) arranger workstations. Let’s see what Yamaha Smart Pianist does with them!

Transfer the MIDI files

The first step is transferring the MIDI files from Windows PC to my iPad. I gathered about 100 Standard MIDI Files (SMF) into a directory, “MIDI”, with three subdirectories:

  • GM: General MIDI and General MIDI 2
  • S950: XG files tweaked for the PSR-S950
  • Yamaha: XG files purchased from Yamaha Musicsoft

The subdirectories reflect different vintages and format. I went with PSR-S950 because its voices are a subset of the CSP-170 voices. GM, GM2 and XG are compatible with CSP-170. Depending upon source and phase of the moon, a MIDI file may or may not have chord and lyric data. The XG files from Yamaha Musicsoft are more likely to have chords and lyrics (so-called XF format), but that is not a slam dunk. [Click on images to enlarge them.]

iTunes File Sharing seemed like the fastest way to move 100+ files. Unfortunately, no joy. iTunes found the Smart Pianist storage area without problem with four subdirectories under “Smart Pianist Documents”:

  • demo_audio
  • user_audio
  • user_midi
  • user_pdf

I tried to copy MIDI files into “user_midi” directly. Nope, iTunes won’t do it. The best I could do is to add files to the top-level “Smart Pianist Documents” directory.

That just didn’t seem right. So, I e-mailed a ZIP file containing the MIDI files to myself and downloaded the ZIP into the Files folder on the iPad. I tried to import the ZIP into Smart Pianist directly. It unzipped OK, but Smart Pianist expects to see one or MIDI files, not subdirectories! No joy, again.

Oh, dear. There isn’t any way to organize the MIDI files into folders (or categories) inside Smart Pianist. A linear list of 100+ MIDI files is not convenient or scalable. C’mon, Yamaha, you can do better.

Fortunately, Smart Pianist’s import dialog has a “Select All” option — if you can find it. I had to select the first file and scroll to the bottom of the list of files to find the “Select All” button. Might be a good idea to display “Select All” at the top of the dialog box like right away?

Well, after all this futzing around, I got all 100+ MIDI files imported into Smart Pianist.

Score, chords and lyrics

When you select a MIDI song, Smart Pianist looks for three kinds of data in the MIDI file: score (e.g., tracks with notes in them), chords and lyrics. Three buttons at the bottom of the screen let you select one of these three views during playback.

Smart Pianist displays some kind of score, typically the melody track, maybe a left-hand bass track. If Smart Pianist can’t make sense of the MIDI, it displays empty measures (e.g., whole note rests).

Chords and lyrics are optional in MIDI files and your mileage will vary. Smart Pianist will display chords and lyrics, if the relevant MIDI data are available.

How did Smart Pianist do?

No, I didn’t test 100 MIDI songs. 🙂 I chose four songs for testing:

  • Brown-Eyed Girl by Van Morrison
  • Every Little Thing by The Police
  • Let’s Stay Together by Al Green
  • I Wouldn’t Want To Be Like You by Alan Parsons

Brown-Eyed Girl, Every Little Thing and Let’s Stay Together are XG MIDI songs purchased from Yamaha. Most likely, they should have chord and lyric data (XF format). I Wouldn’t Want To Be Like You started life as a TUNE 1000 Karaoke General MIDI file and it contains lyrics.

In the case of Brown-Eyed Girl, Smart Pianist generated a score which looks like a combination of a bass line and the opening guitar riffs.

No chords were found, so you don’t get anything useful on the Chords page. I improvised the chords from the score when playing along. Then again, I have a good working knowledge of musical harmony. A beginner or inexperienced player would be lost.

The Brown-Eyed Girl MIDI file has embedded lyrics. Here’s the problem, tho’. What if I want to sing the lyrics and play a piano part? I can’t do it because, in Smart Pianist, by default, you get the piano score or the lyrics, not both at the same time. [We’ll remedy that in a few minutes. Please keep reading.]

Next up, Every Little Thing She Does Is Magic. Smart Pianist displays some form of score.

And it displays chords, too. I found the chord display to be the most helpful and I played along with the song ny following the Chord page. Not bad. If you are a Chord Tracker user, you’ll recognize the chord chart structure and format.

No lyrics were found in Every Little Thing, so you’re on your own. Maybe invite Sting over to sing. 🙂

Smart Pianist produced a score for Let’s Stay Together. Looks like the melody line to me.

The Let’s Stay Together MIDI file has chord data and Smart Pianist displays chords. No lyrics, tho’, so the Lyrics page is empty.

Smart Pianist displays a score for I Wouldn’t Want To Be Like You. It looks like the melody part, so the first N measures are blank during the instrumental introduction. Play by ear and fool around on a Cm7 scale…

Smart Pianist didn’t find chord data — no surprise as GM doesn’t support chord meta-events. You do get lyrics. TUNE 1000 was good with lyrics. It’s a shame TUNE 1000 as a company died over 15 years ago.

Smart Pianist displays what it can and you can have fun with it. Still, you may feel disappointed. Let’s try to make things better.

Song Settings

Up to this point in the tour, we Smart Pianist’s default Song Settings and went with them. Yamaha borrowed many ideas and features from its arranger workstations. Song Settings are the gateway to those features.

I want to display lyrics on the Score. Tap the Song Settings icon in the upper right-hand corner of the screen. Then tap “Score” to select the Score Settings page.

The Score Settings page has six settings:

  • Choose the score display size: Small, Medium or Large.
  • Display the Left- and/or Right-hand parts
  • Display the Right-hand part on a grand staff (treble plus bass clef)
  • Display chords in the Score
  • Display lyrics in the Score
  • Set note quantization (granularity of the time grid)

The I Wouldn’t Want To Be Like You MIDI file doesn’t have chord data, so I left Chord disabled. I turned Lyrics on. I tried turning a Left-hand part on, but Smart Pianist wouldn’t let me. [More about that in a second.]

The screen grab above shows the result. Smart Pianist displays the Score and, behold, lyrics appear below the melody line!

Instead of the melody, I really want to play chords and comp along with the song. In order to find a MIDI song track with the kind of part that I want to play, I opened the (MIDI) Mixer tab in the Song Settings.

The MIDI Mixer shows the instrument type which is assigned to each MIDI channel. (A MIDI song may have up to 16 channels.) Channel 1 has an electric piano (EP) which plays during the entire song. Channel 2 has a fretless bass. These MIDI channels are good candidates for the score.

While we’re on the MIDI Mixer page, please note that you can set the volume, pan and reverb send for each instrumental part (channel). The Master knobs and slider set the overall pan, reverb send and volume level for the MIDI song. You can use the MIDI Mixer to re-mix the backing song!

Now select the Song Settings Playback tab. Here you can turn the Stream Lights on and off, set the Stream Lights speed, etc.

Check out the MIDI Part Channel settings at the bottom of the page. By default, Auto Set is turned on. This instructs Smart Pianist to find appropriate MIDI channels to display in the score. Notice that Right is set to MIDI channel 4 and Left is off. A-ha! That’s why we saw the melody part (channel 4) in the score and why the Left-hand part is disabled.

Some inside baseball — TUNE 1000 the company is defunct, but their lasting contribution is the Karaoke (KAR) MIDI file format. Channel 4 in karaoke-land is the melody channel.

Turn off Auto Set.

Next, set the Right MIDI channel to 1 (the electric piano) and set the Left MIDI channel to 2 (the fretless bass). Tap the Done button to return to the Score display.

Voila! The Score shows the electric piano part in the upper staff and the fretless bass part in the lower staff. And, the Score still has the lyrics. This is just what I wanted.

I don’t blame you if you feel a little tired after menu diving. You wouldn’t want to do that every time. That’s where Smart Pianist registrations come to the rescue. Tap the Registration icon in the lower left corner of the screen.

Smart Pianist pops up a dialog box asking for the name of the new Registration to be saved. Enter the name (I_Wouldnt_Want_To_Be) and tap the Save button. Smart Pianist saves all of the Song Settings. So the next time you want to play this song, just recall the Registration.

Here’s a bonus! I changed to a different MIDI song: I Played The Fool (by Southside Johnny and the Asbury Jukes). Smart Pianist applied the same, existing Song Settings and, by dumb luck, it displayed a nice right-hand part for comping, the bass line in the left-hand, and the lyrics. How good is that?

Well, I hope that you learned some new Smart Pianist tricks. Don’t be afraid to dive into the Song Settings and tweak the Score to your liking.

Copyright © 2025 Paul J. Drongowski

The quest for Backing Conductor

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Yamaha released a new version of the Smart Pianist app. The release notes list three new features:

  • Backing Conductor (CSP Series, CVP Series and P-S500 only)
  • A-B Repeat for PDF scores
  • Scores for the 50 Classics are distributed and displayed via PDF

The Backing Conductor sounded intriguing and I was anxious to jump on it right away.

I noticed that the CSP Series 200 models require a Firmware Update for Backing Conductor. Be sure to check the downloads page for your CSP.

The Apple App store pushed version 3.6.0 to my iPad. No problem there. The screen shot (above) shows Smart Pianist 3.6.0 (January 15, 2025) running and firmware 1.09a installed on the CSP-170. Hopefully, firmware version 1.09a is good because Yamaha never stated if an update is required for the CSP 100 series.

What is Backing Conductor?

The big question: “What is Smart Pianist Backing Conductor?” At this point in time, Yamaha have not publicized any additional information. The Smart Pianist guide, such as it is, has not been updated.

Yamaha software engineering believes that they design intuitive user interfaces (apparently). No documentation required! Quite frankly, if one of my CS students made such a statement, they would have been corrected and marked down. Seriously. 🙁

And so began my quest for “Backing Conductor.”

Post-install splash screens

At one point in my quest, I deleted the Smart Pianist app and re-installed it. Below are two rather informative post-install screens which highlight Smart Pianist’s capabilities.

Blink or idly flip by and you will miss these highlights. Forever — they won’t be repeated.

Yamaha should distribute the example score “New York Hustle”. It appears in other examples. By the way, “Hustle” is misspelled as “Hastle” in the second splash screen. Sorry, I live with a professional editor…

Start-up splash screens

Every time you start up Smart Pianist and connect to your instrument, you will be treated to a different splash screen. Again, don’t blink because you will miss something.

Here are three of the screens which highlight new features in version 3.6.0. Yeah, I know. What are they and how do I use them?

“Backing Conductor” gets mentioned again without details.

Backing Conductor, finally

Finally, I hit on the fourth of these elusive splash screens (below).

Oh, now I see what I should look for!

When a PDF is displayed, Smart Pianist displays this playback control box at the top. Folks who have used earlier versions of Smart Pianist recognize the three part buttons: Others, Left and Right. Backing Conductor adds a new part button: Backing. I guess when Backing is turned ON, you can change the auto-accompaniment style, in this case, Cool 8Beat.

There’s “New York Hustle” and “Hastle”, again.

Taco Bell’s Cannon

Now that I have a clue, let’s try a PDF score: Canon D dur by Pachelbel.

Uh, oh. The Backing button and accompaniment style are greyed out. What gives? In this case, Smart Pianist plays back the PDF score without backing.

One of my big frustration using Smart Pianist is what appears to be inconsistent behavior and options. There must be rules governing behavior and user operations. The rules probably differ by the content/media type:

  • PDF score (PDF file)
  • MIDI song (Standard MIDI File)
  • Audio song (MP3, AAC, etc.)
  • Chords extracted from an audio song

I wish Yamaha would explicitly write down the dos and don’ts for each data type. Explicit rules would set expectations straight and reduce frustration.

Bonus screen

To round things out, here is the Song Settings Arrangement screen for Audio to Score playback.

In this screen, you can choose the accompaniment score pattern to be used when displaying the extracted score and you can choose the backing style. I like the ability to turn different backing parts off (on) individually. Sometimes ya just want a beat, sometimes a beat plus bass, and sometimes a full backing.

Summary

I hope my difficulties have not discouraged you. Maybe you’ll be a little bit smarter then I when you sit down with Smart Pianist.

Before ending, I want to mention my top Smart Pianist want: the ability to add new styles to Smart Pianist. I’m not asking for Style Creator as one finds in the arranger workstations — simply the ability to load new styles and play new backing styles. There are so many user-contributed styles (including my own!), the ability to load and play with new styles would give CSP a huge boost.

Copyright © 2025 Paul J. Drongowski

NAMM 2025: ROLI discover 49 keys!

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The big reveal from ROLI is a 49-key version of the LUMI Keys, now known as the ROLI Piano M. Price is $599 USD/€599 (RRP) with a very limited-time introductory price of $399/€399. First orders will ship in May.

Add color to your musical ideas with four octaves of full-sized, semi-weighted keys, each with per-key pitchbend, polyphonic aftertouch, and vibrant Brightkey illumination. ROLI Piano is MPE-ready, perfectly portable, and designed to inspire. Add Airwave, and you can even play the air above your keys – seriously. [ROLI]

ROLI made a few additional improvements in addition to 49 full-size, full-throw keys:

  • Sustain/expression pedal input
  • MIDI OUT (3.5mm TRS)
  • USB-C class-compliant MIDI
  • Diminuitive size: 27.5″ x 8″ x 1.8″ (mm x 200 mm x 45 mm)
  • Light weight: 7.7 pounds (3.5kg)

Basically, you get an MPE-compatible MIDI controller for not a lot of money. This might put a dent into Keith McMillen K-Board Pro sales.

49-key ROLI Piano and Airwave [ROLI]

Not to pick on ROLI specifically, but I have a thing against any keyboard shorter than 49 keys. Look, I play real music. I need Middle C and two octaves above and two octaves below. This minimal range lets my left hand wander a little bit and my right hand can play most melodies within range of the human singing voice.

The LUMI Keys (mine is a “Keys”) has 24 keys. Right off the top, forget two hands. No matter where you put Middle C, there’s a chance that you will run out of keys. Because LUMI Keys is designed to snap together, it is missing the C above Middle C, too. I can’t count the number of times my pinky finger is flapping in the breeze because that C key isn’t there.

I will give credit to ROLI for rolling out a longer 49-key keyboard with full-sized keys. My LUMI keys has the short scale (Stretto, 5.5″ per octave) keys. At this point, I adapt to mini-keys when necessary. Still, I prefer full-size keys (either synth- or piano-width).

I wish ROLI well. Recently, I bought a 48-key Novation Launchkey Mk4 and love it (review on the way). I’ll be keeping the ROLI LUMI Keys for MPE experiments and for occasions that require extreme portability and built-in Bluetooth MIDI.

Novation and Klevgrand

Novation and Klevgrand have something in the works, thanks to their new partnership agreement. They are teasing new software designed specifically for Novation controller users. March 2025 is the target timeframe. [As we used to joke in software development, “Is that the beginning or the end of the month?”]

Novation already bundle a few Klevgrand plug-ins with Launchkey. (I still need to get to them!) Klevgrand’s user interface (UI) is super clean and tidy, so I’m looking forward to the fruits of their collaboration. If you are a Novation user, keep your eyes open and look for offers and activations later this year.

Floobydust

CME realize that their greatest asset is their software. Thus, they announced the C2MIDI Pro USB5-pin MIDI cable with filtering, routing and mapping smarts. The U6MIDI PRO, WIDI Master and MIDI Jack are in daily use, here. I just say, these guys know this domain and produce reliable, affordable MIDI products. The C2MIDI cable will sell for $29.99, shipping February 2025.

Studiologic have announced the SL Mk2 controllers: SL73 Mk2 ($500 USD) and SL88 Mk2 ($500), and SL88GT Mk2 with acoustic-weighted keys ($1,000).

Behringer are showing the BX1 DX1 knock-off, the PRO-16 Sequential Circuits re-do, and the JT-16 Analog Polyphonic Synthesizer.

Copyright © 2025 Paul J. Drongowski

NAMM 2025: NI free stuff

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Tomorrow (January 23) is when NAMM 2025 exhibits open. On to today’s news!

Native Instruments free stuff

I was about to blow off the Native Instruments announcements when I realized, “Wait, I can get some free stuff.”

If you shuffle through the corporate-speak — and there is plenty of it — you’ll gist that NI have partnered with other hardware manufacturers to provide integrated support (NKS compatibility). The first batch of controllers to be supported are:

  • Akai Professional: MPK Mini, MPK Mini Play, and MPK Mini Plus
  • Nektar: Impact LX Mk3
  • Novation: Launchkey Mk3 and Mk4, FLkey, and SL Mk3 controllers
  • Korg: Keystage controllers
  • M-Audio: Oxygen Series keyboards

Support will be implemented in the next Komplete Kontrol update.

From the Native Instruments press release:

Owners of NKS-ready hardware from Novation, Nektar, Korg and M-Audio will be eligible to receive Native Instruments’ flagship production bundle, Komplete 15 Select, free of charge. Creators can choose from three editions tailored to specific workflows:

  • Beats Edition: Synths and sound packs ideal for pop, hip-hop, and R&B.
  • Band Edition: Guitars, keys, and studio effects designed for songwriters and live performers.
  • Electronic Edition: Advanced synths and tools for house, techno, and trance producers.

For Akai Professional users, an MPK purchase includes Komplete 15 Select.

I haven’t blabbed about it here (yet), but I picked up a Novation Launchkey Mk4 last month. I will check this deal out.

Native Instruments is releasing exclusive content for the Akai MPC platform:

  • Five MPC Expansions: Drum kits and sample packs reformatted for Akai MPC hardware
  • Five MPC Editions: Instrument plugins based on the Play Series

You can check the titles at the NI webshop. These titles are MPC hardware-only.

Steinberg NAMM 2025 deals

Let’s throw a bone to Steinberg who are offering deals on Dorico (40%), WaveLab (40%), WaveLab Cast 2 (40%), Cubase (25%) and other products. Offers last until February 5, 2025. The NAMM sale seems like an annual thing, so catch up on updates and upgrades.

Korg, again

Korg will preview two audio interfaces: Korg microAudio 22 and and Korg microAudio 722. You’ve probably seen the pictures — each is a table-top interface in black, 2 inputs (Hi-Z, +48V phantom power), 2 outputs, 24-bit/192kHz. The 722 has a miniKORG 700S analog filter with lowpass and highpass settings, LFO, cutoff and resonance knobs.

We haven’t seen pictures of the goes-in/goes-out, but there is a MIDI light on the front panel.

Korg call these “concept prototypes” which “may or may not be destined for commercialization.” Thus, no prices.

Roland V-STAGE

Yeah, it’s out. I want to shout out demo videos by Patrice Rushen and Ed Diaz (Kraft Music). Patrice deserves more recognition — what a talent!

At some point, we gotta talk money. 🙁

Copyright © 2025 Paul J. Drongowski

NAMM 2025: ROLI teaser

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ROLI piano teaser

ROLI are teasing a “Bigger, Brighter, Smarter, piano of the future” to be announced on January 23: AI-generated Pianoception advertisement. 👎

ROLI will be offering “early-bird deals”. Hmmm, I smell crowd-sourced money to finish product development. I hate to be so darned cynical, but c’mon.

There is even an adminition “to check your spam folder” for the offer. Yeah, cuz your teaser and promotional copy read like spam? “Early batches are going to be moving fast, and we know you’re going to love this. Keep your eyes peeled — we don’t want you to miss out.”

I like ROLI. They’re spunky. But jeez, fire your copy writer. I hate spunky. 🙂

ROLI will also be promoting ROLI Piano M as a learning tool and the ROLI Airwave controller.

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Wait, there’s more!

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Hope you’ve caught your breath. This year’s NAMM (2025) has brought a bumper crop of new keyboard releases.

Just to list a few that we’ve seen. This is an exciting year for players!

Nord Piano 6

Check your credit limit because Nord weren’t finished after announcing the Nord Organ 3. Today, Nord have given us the Nord Piano 6:

  • Dual layers for piano and synth with independent effects
  • Dedicated LED faders for each layer
  • Triple sensor keybed
  • Nord triple pedal 2 is included
  • New spring reverb and spin effects

Two piano layers plus two synth layers will give punters better splits and layers over previous models, addressing a frequently voiced need.

Nord Piano 6 73

Catch the introductory video. Sure sounds nice. The Bonners video hits the highlights.

There will be two models:

  • Nord Piano 6 88, 88-key triple sensor keybed with grand weighted action, 19.2 kg (42.3 lbs)
  • Nord Piano 6 73, 73-key triple sensor keybed with grand weighted action, 16.2 kg (35.7 lbs)

The 73 is priced at $3,599 USD (£2,999) and the 88 is priced at $3,799 (£3,299).

Viscount Legend One

Viscount International have released new videos demonstrating the new Viscount Legend One stage keyboard. Here are a few links to start you off:

Kraft Music have a short page about the Legend One. The 61 and 73 are available for pre-order at $1,790 USD and $1,990, respectively. Now those are competitive prices!

Ketron (AjamSonic)

Ketron is not a well-known name in North America. However, they offer a range of digital pianos, arranger keyboards and modules. They are represented in the United States by AjamSonic.

AjamSonic (Ketron) will have a booth at NAMM 2025 next week. (Jeez, we’ve seen all this stuff and the show hasn’t started!) Here is a video from AjamSonic, including a preview of their NAMM announcements.

  • EVENT flagship arranger workstation
  • EVP 1 flagship grand piano
  • EVP 2 upright/spinet digital piano
  • EVP 4 stage/slab piano
  • EVS pocket-sized professional sound module
  • FUSION multi-cultural (world) arranger and production keyboard
    • EVENT functionality and features
    • Real arranger and multi-ethnic styles
    • Joystick, ribbon, articulations and drum pad
    • 4GByte user flash memory (2GB Sbk and 2GB sampler)
    • Oriental drum kits, sounds and musical scale
  • New sounds, new styles
  • KB series near-field powered speakers (KB5A and KB6A)
  • KS10A active sub woofer
  • KM6 portable mixer

The AjamSonic video is refreshingly mellow. Chill.

Ketron EVS sound module

The EVS caught my eye because I am always looking for new sound modules. Features include:

  • EVENT sound engine in a small box
  • 256 factory presets
  • 256 user presets
  • Ability to layer three voices
  • Desk-top voice ditor
  • USB and MIDI IN/OUT

It can be used as a MIDI file player as well as an external sound module.

You can try the Ketron America link, but Chrome gives me guff.

More Yamaha updates

Yamaha snuck out a small update for the Montage M series. They also released Smart Pianist v3.6.0 with “Backing Conductor”. I’m currently trying v3.6.0 and searching for Backing Conductor within. One question has already gone out to Yamaha customer support — what the heck is Backing Conductor?

[Update] CSP-200 series models need a firmware update to enable Backing Conductor. The Smart Pianist specification PDF shows Backing Conductor to be supported on CSP-100 series and P-S500. I didn’t find a CSP-100 series firmware update, so maybe Yamaha has not yet pushed the update file?

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Viscount Legend ONE

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It’s raining stage keyboards (and organs) up in here! Viscount International are announcing the Viscount Legend ONE:

  • Based on the Legend Soul engine
  • Four sound sections: Organ, Sound 1, Sound 2, Pedals
  • Sounds include acoustic piano, electric piano, synths, pad and strings
  • Drawbars: SET A, PEDALS, SET B
  • Synth parameter control via drawbars (cutoff, res, etc.)
  • Two models:
    • 61-key waterfall (22 pounds / 10kg)
    • 73-key semi-weighted waterfall (25 pounds / 11.5kg)
  • Connectors galore:
    • Audio out (1/4″): MAIN R, MAIN L/MONO, PEDALS, AUX 1, AUX 2
    • Rotary switch (1/4″)
    • Foot switch (1/4″)
    • Damper (1/4″)
    • Foot control (1/4″)
    • EXP (1/4″)
    • Leslie (11-pin)
    • MIDI (5-pin): IN, OUT, PEDALS KEYB ONLY
    • USB: TO HOST, TO DEVICE

Catch the Legend ONE teaser video here.

The LEGEND ONE will be easier to move than the two manual Legend SOUL 273. The 61 at 22 pounds is at the edge of what I can or want to move. No word on price although you should expect to pay well-north of $2,000 USD.

Viscount SONUS 40 Special Edition (close-up)

While I was at the Viscount site, I was really digging the SONUS 40 and SONUS 45 Special Edition organs with reversed pattern wooden covered keyboard and wooden rocker tabs. Damn! (Can I say that in church?) Sign me up, but please don’t tell me the price (>$15,000 no doubt).

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Roland V-STAGE

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Roland V-STAGE 73 (rumor)

Well, if you can’t beat ’em, then join ’em! Here’s an interesting rumor by way of our friends at Yamaha Musicians Forum — the Roland V-STAGE:

  • 4 independent sections with Roland modelling technology: Organ, Acoustic Piano, Electric Piano and Synthesizer
  • Each section with its own mixer and button for split point for transposition
  • Organ section with 3 layers, 4 organ types (virtual tone wheel, 2x transistor, pipe organ), overdrive and rotary speaker effect
  • Piano section with V-Piano sound generation
  • Electric piano section with SuperNATURAL sound generation, 4 models (Tine, Reed, Digital Piano, Clavinet) and effects such as chorus, phaser, wah, tremolo and amp simulation
  • Synthesizer section with ZEN Core Engine, 2 parts, more than 400 sounds and support for SDZ Sound Packs and Roland Model Expansions
  • Effects section with delay, reverb and multi-effects
  • Master compressor and EQ
  • Pitch and modulation wheel
  • Drawbar with LED display and controls for all important parameters
  • 4.3″ Graphic display

[Update] Here is more detail about rear panel connections:

  • PEDAL (1/4″ jacks): HOLD/R, CTRL 3/C, CTRL 2/L CTRL 1
  • MIDI (5-pin jacks): IN, OUT1, OUT2/THRU
  • USB: COMPUTER (Type-C), MEMORY (Type-A)
  • EXTERNAL device (USB Type-A): DEVICE 1, DEVICE 2
  • MIC INPUT (XLR jacks)
  • LINE INPUT (1/4″ jacks): R, L/MONO
  • SUB OUT BALANCED (1/4″ jacks): R, L
  • MAIN OUT BALANCED: R, L/MONO (1/4″jacks), R, L (XLR jacks)
  • Stereo PHONES (1/4″ jacks)

Roland V-STAGE front panel

Judging from the front panel, the V-STAGE is coming right at Nord. There will be two models:

  • 76 Waterfall keys, semi-weighted and with aftertouch
  • 88 Piano keys, weighted and with aftertouch

The 76 weighs 15.2kg (33.5 pounds) with a price somewhere around 3,499€. The 88 comes in at 3,999€

Copyright © 2025 Paul J. Drongowski

NAMM 2025: Yamaha updates

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Welcome OS v2.0 for the Stage CP series:

  • CFX2 concert grand piano
  • Improved Bösendorfer Imperial 290
  • Eight new Live Sets for the CFX2 and Bösendorfer
  • USB HOST functionality
  • Output gain control (-24dB to +24dB)
  • Seamless Section Sound Switching in addition to SSS between Live Sets
  • Twice as many User Live Set pages (increased from 20 to 40)
  • Tap tempo delay
  • Damper resonance control

Well, OS v2.0 shoots down my conjecture about a “unified” stage keyboard platform. OS v2.0 extends the life of the existing platform, giving it the new(er) pianos introduced with Montage M. These are new additions and do not replace the existing voices.

You’ll find the CP88 OS v2.0 Sound Demo here.

The Yamaha SEQTRAK music production studio gets update OS v1.20:

  • Sample loops (Loop on/off, sample start, loop start and loop end)
  • Track mute mode
  • Sampler slot mute
  • Record count-in
  • Keyboard mode octave change
  • Quantized project playback
  • Auto copy pattern extension
  • Temp project auto-save
  • Visualizer external MIDI trigger

Blake’s Take on the SEQTRAK update is here. Also, watch the SEQTRAK OS v1.2 Tutorial.

More tomorrow — I’m going to bed. 🙂

Copyright © 2025 Paul J. Drongowski