Miroslav Philharmonik - Sand, software and sound

Just like finding a 20 dollar bill in a drawer full of old socks, it’s a pleasant surprise to discover that you already own a useful iPad music app and simply forgot about it. Thus, I installed IK Multimedia SampleTank IOS on my iPad and gave it a try. (Again) Even better, I restored in-app purchases, finding additional B-3 organs and, ta-da, Miroslav Symphonic Mobile Edition. (Henceforth, “Miroslav”.)

Miroslav goes back a long way to 1994. The mobile edition is a cut-down version of the current, big and improved Miroslav Philharmonic 2 library. The full library is 2.27GB while the Mobile Edition tips in at a modest 532MB.

Miroslav Vitouš, by the way, is one heck of a jazzer. I was well-aware of his work as a leader and as a sideman (Herbie Mann, Chick Corea, Roy Ayers, Larry Coryell, and others) before hearing the original Philharmonic library.

Sonically, Miroslav has always had its own unique character. You either love it or dislike it. I’m on the love side although some of the string sections sound a tad dated. I like the woodwinds and horns best, rating them a notch above the Korg Module Pro voices. As to variety and solo instruments, Miroslav Mobile trounces Module Pro in the orchestra department.

As to B-3 organs, Module Pro wins the contest. Frankly, I am not a fan of SampleTank IOS drawbar organs, which are very rock-oriented. Further, SampleTank IOS does not have a rotary speaker simulation built-in. I can only assume that IK want you to purchase Hammond B-3X for iPad ($130 USD) or AmpliTube Leslie. I found, however, that I can easily switch between Module Pro and SampleTank IOS while keeping the Korg Microkey Air connected over Bluetooth. Problem solved.

As to church organ, I blended SampleTank’s Church Organ Air with Miroslav’s Cathedral Organ. The solution is good enough for basic hymn playing. I still plan to purchase Module’s organ (and clav) expansion pack when it goes on sale. The organ expansion pack includes a few traditional pipe organ voices.

SampleTank IOS plus Miroslav Mobile complements Korg Module Pro rather well. I forgot about dear old Miroslav after moving to our new house and to a new iPad. I’m glad that I remembered! If you need to choose one app, there are differences to be considered in the synth engines. Please read on.

Korg Module Pro

As I mentioned in my review, Module Pro with the performance expansion pack allows two-voice layers and splits. Splits and layers are created and stored within set lists.

Module’s Set List management screen lets you choose and load a combination (combi). Tapping the keyboard symbol on the right hand side of the selected entry takes you to the screen where you set the mode: Single voice, Layer or Split. There, you can balance levels, shift octaves and set the split point.

If a voice needs tweaking, you can switch to the standard Module instrument screen for voice edits. When finished, you need to switch back to set list mode and save the set list. The set list combi retains any changes. (You need to tap the file icon in the upper left corner to show the appropriate pop-up menu.)

Korg Module Pro edit screen for sample-playback voices

SampleTank IOS

Instead of set lists, SampleTank has its Live mode where you can create multi-voice layers and splits. SampleTank is better-featured that way, allowing up to eight voices to participate in a combi.

In the example above, instruments are split left (two string layers) and right (two flute layers). You can see the split and layer relationships in the pane at the bottom of the screen. Since it’s all touch-based, one slides split points left and right. It’s quite natural. Please note that this example patch is already well-beyond Module Pro’s simple two-level layers and splits. SampleTank IOS also allows overlaps around the split point, eliminating a jarring sonic change when a musical line crosses the split point.

Unlike Module, SampleTank IOS has a strip of control knobs for voice tweaking. Both apps let you change attack, release, cut-off, resonance, effect type and effect levels. This level of basic editing is usually sufficient.

SampleTank IOS level and pan control in Live mode

All four voices in the example are on MIDI channel 1. Thus, all four individual voices sound (modulo splits and layers) when a note is struck on the Korg Microkey Air. In order to set volume and pan levels, one taps the slider icon in the upper middle part of the screen. When mix is enabled, each part box shows a volume and pan knob.

Overall, I give the win to the SampleTank engine. Eight layers/splits is more than enough and there isn’t any need to change modes or screens in order to make voice edits.

Module Pro set lists have mo’ power, however. You can attach audio songs, PDFs and other performance aids to a set list entry. I find the iPad screen too small for most of my charts, so I’m not taking advantage of those particular set list features. Access to performance aids might tip things toward Module Pro, if that’s your thing.

Over the last several weeks, I’ve been practicing and playing through church tunes. Our liturgical group covers genres from pop, light rock, classical and traditional hymns to gospel. I’m trying to keep up my chops while our group awaits its post-pandemic return.

This has been a good opportunity to wring out any issues with Korg Module Pro (on Apple iPad) and a Korg Microkey Air 49 controller. Both Korg products have been solid and I feel comfortable with the idea of using this combo live in church.

I’ve also been able to evaluate the suitability of Korg Module for our church repertoire. Module’s set-list features are very easy to work letting me build quick-access layers and splits. Set-list features are well thought out and I strongly recommend purchasing the Module Performance Expansion.

Thankfully, set-list combis store patch and effect edit, allowing me to dial in a consistent level across combis and to tweak attack, release and reverb. Just don’t forgot to save the set-list after making edits!

Right off the top, I’m quite happy with Module’s stock Hammond organ sounds. My three favorite patches are Gospel Organ, Simple Organ and Clean Organ. Church music doesn’t require over-the-top distortion. The Korg rotary speaker simulation is very good and the speed transitions (ramps) are realistic — a vital component for gospel music.

The only thing missing organ-wise is a traditional church organ. I have not purchased the Korg Organ and Clav Collection which offers a classic organ. I intend to buy the organ expansion during the next Korg app sale. In the meantime, I’m substituting Simple or Clean organ.

As to other instruments, I need orchestral woodwinds, French horn, and strings. Compared with Miroslav Philharmonik Mobile Edition, Module Pro is a general purpose, all-rounder, not a specialist like Miroslav. The sounds are good enough for live play, but would not please a purist. Nor would they be adequate for mocking up symphonic music.

Korg offer the KA Pro Orchestral Dreams expansion. “KA Pro”, by the way, means Kurt Adler Productions, who sell a full range of orchestral samples. If Korg Module isn’t to your taste, the KA Pro samples are available in the CrudeByte iSymphonic Orchestra (iPad) app. Orchestral Dreams is comprised mainly of full orchestra emulations. The emulations implement multiple velocity levels including percussion. Full orchestra emulations are not suitable for our repertoire (especially the percussion!) and I don’t plan to buy this expansion.

The Korg sounds make for good layers. The Woodwind Ensemble patch is serviceable by itself, but is fuller and warmer when layered with the Horn Ensemble voice. Same for the Solo Flute. By itself, the Solo Flute resembles a Mellotron flute, especially when playing chords or clusters. Horn Ensemble knocks down the tron-y flavor.

Here’s a quick list of my favorite patches: Wind Ensemble, Horn Ensemble, Synth Horn, Romantique Strings, Strings Pad, Solo Flute.

What’s missing? Module has solo violin and cello, but it’s missing most other solo orchestral instruments (including essential double reeds). The violin and cello voices have hard attacks and a lot of bow — difficult to tame. Thus, overall playing is limited to mainly ensemble or pad-like voices. Quite the shame. Korg need to add an orchestral expansion with solo instruments and/or small sections a la Miroslav.

Yes, I auditioned the Triton expansion pack. Having owned a Triton Taktile 49, I’m not satisfied with the Triton orchestral voices, solo voices, in particular. That’s why the Triton Taktile is gone, gone, gone.

Oddly, I have not found a simple synth pad among the plethora of synth patches. I want something very light and plain for layering — a non-fat synth pad without sweeps, sparkles and other tricks.

Functionally, I wish layers could cross-fade (“tilt”) across the keyboard. This would let us overlap (cross-fade) the upper and lower instruments forming a soft split. Hard split points are rather jarring when a right- or left-hand line needs just a note or two past the split point. Examples include Oboe/Bassoon or Oboe/Cello splits where a short blend across the split point is highly desired for continuity.

Overall, Korg Module Pro is a solid, reliable citizen within its limitations. Module is intended to appeal to and serve a wide range of users. If you need good electric piano or high-quality acoustic piano, it’s got ’em, too. I stand by my earlier positive recommendation.

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