My Yamaha PSS-E30 Remie review promised updates about how Remie works out in the real world with a two year old. Here’s a the first update (and why we moved out west to be with our grandson).
Background: Our grandson attended Kindermusik classes while he was an infant and, man, we can see the effects already. He also hangs with older kids and his big-kid grandfather (me) who all play keys, so playing keys already seems like an every-day activity.
When he comes over to our house, we put on music, or he and I sit down at the Yamaha MODX or Genos, depending on what’s set up and handy. He is in love with the MODX Superknob and the built-in beats, now referring to beat music as “orange music.” Orange is his favorite color and he will literally ask us to play “orange music”. One wonders if he has synesthesia or if he just likes the occasional warm orange glow from the MODX Superknob.
Yamaha PSS-E30 Remie
Well, come Christmas day, he unwrapped Remie and broke into a joyful smile. He quickly started pushing the start/stop button; Do kids understand icons that early? We dropped a few beats and he literally was dancing along. So, I would say the first encounter with Remie was quite successful!
A few minutes later, we caught his mom (a former wind player) trying different features and taking a quiz. Couldn’t have been better. We’ll see how Remie works out in the long run.
Hey, Yamaha! You missed an opportunity, tho’. Kids love the Superknob. Your next keyboard for kids should have a Superknob on it!
Merry Christmas and Happy New Year! (And support art/music education).
Now let’s take a first look at Yamaha PSS-E30 Remie inside.
My Remie is a seasoned world traveller. It was designed in Japan, made in India, distributed by Rellingen, Germany, sold by Amazon UK and played in Washington state, USA. Physics and electrons are indeed universal.
The PSS-E30, PSS-F30 and PSS-A50 are essentially the same physical product. They are part of a family like Reface. The Reface family, BTW, is two pairs of fraternal twins: YC/CP and CS/DX. The PSS family are fraternal triplets and share the same printed circuit board (PCB). In fact, the PCB has three little check boxes. A mark in a check box denotes the specific product personality.
Yamaha PSS-E30 Remie digital logic board (DM)
Product personality is determined by four things: front panel graphics, software, content (voices, styles, etc.) and USB interface.
Line up the three PSS keyboards and you see that they all have the same panel layout. The buttons are all in the same physical place. Everything else that is external is just skin (case color and stick on panel graphics). The panel connections to the digital logic board (DM) are the same in all three products.
Next up, each member of the family has different code and content. The software and content are stored in a Winbond 2MByte serial ROM. The main CPU (SWLL) reads the binary code and waveforms from ROM at boot time. The ROM components are stamped with a product specific code: “2H” for Remie and “2I” for the PSS-A50.
The 2MByte ROM holds both code and waveforms. The small ROM harkens back to the day of the Yamaha QY-70 when XG voices and drum kits fit into 4MBytes. Given the small ROM, one shouldn’t expect super high voice quality in any of the models.
Finally, the PSS-A50 is the only sibling with an active USB interface. Remie has an unpopulated IC site as you can see in the upper left corner of its PCB. This site is populated with a USB chip in the A50. Without the chip, Yamaha can build and sell Remie at a lower cost than the A50. Even if one carefully soldered the correct USB IC into the unpopulated site in Remie, I doubt if Remie’s software has the code to recognize it.
The PSS-F30 is a shrunken PSR-F50. For the rest of this discussion, I’m using the Yamaha PSR-F50 Service Manual as my guide to the electronics. As to the keybed, I’m using the Reface YC Service Manual.
Remie circuit boards and ribbon cables
Inside, each member of the PSS family consists of three circuit boards: the main logic board (DM), the front panel board and the keybed. The front panel board and keybed are each a switch matrix. The CPU scans both the front panel and keybed separately. It scans each board by asserting a switch group select signal and then reading the current state of each switch in the group.
There are twelve switches in a keybed group, two switches per key. The switch contacts are at two different heights and close at two different times when struck. The CPU measures the closure time between the first contact and the second conent in order to sense key velocity.
The panel PCB and the keybed PCB are each joined to the digital logic board by short ribbon cables. The loudspeaker signals hitch a ride through the front panel ribbon cable.
The main CPU and tone generator is a Yamaha proprietary integrated circuit — the YMW830-V or “SWLL”. The SWLL is the ultra-small brother to the SWL01. The chip is housed in an 80 pin surface mount quad pack which is only 1.3cm on a side. That’s tiny. The entire PCB is a tidy 13.5cm by 4.5cm.
The SWLL is a true system on a chip (SOC) containing the CPU, RAM, tone generation circuitry, UART, ADCs and DACs. Amazing. The chip inside is small, too, and Yamaha can print these like postage stamps in large volume. Everything about the SWLL screams “low cost”.
Using the PSR-F50 Service Manual, here is the SWLL pin-out:
1 DACLPP Left channel DAC output (positive) 2 DACLMM Left channel DAC output (minus) 3 DAC_VDD DAC Vdd 4 DAC_VSS DAC Vss 5 DACRMM Right channel DAC output (minus) 6 DACRPP Right channel DAC output (positive) 7 VSS Vss 8 KYN11 Key sense (input) 9 KYN12 Key sense 10 KYN13 Key sense 11 KYN14 Key sense 12 KYN15 Key sense 13 KYN16 Key sense 14 KYB1 Keyboard key group select (output) 15 KYB2 Keyboard key group select 16 KYB3 Keyboard key group select 17 KYB4 Keyboard key group select 18 KYB5 Keyboard key group select 19 KYB6 Keyboard key group select 20 KYB7 Keyboard key group select
21 KYB8 Keyboard key group select 22 KYB9 Keyboard key group select 23 KYB10 Keyboard key group select 24 KYB11 Keyboard key group select 25 IOVDD 26 VSS 27 LDOTSTO 28 KYN21 Key sense (input) 29 KYN22 Key sense 30 KYN23 Key sense 31 KYN24 Key sense 32 KYN25 Key sense 33 KYN26 Key sense 34 SWIN0 Panel scan input 35 SWIN1 Panel scan input 36 SWIN2 Panel scan input 37 SWIN3 Panel scan input 38 VSS 39 SDQ2 Serial ROM WP# (DQ2) 40 SDO Serial ROM DO (DQ1)
41 SCSN Serial ROM chip select (CS#) 42 IOVDD 43 SDQ3 Serial ROM NC (DQ3) 44 SCLK Serial ROM clock (CLK) 45 SDI Serial ROM DI (DQ0) 46 VSS 47 PORTB0 PSW0 48 PORTB1 (7seg_e0) 49 PORTB2 (7seg_e1) 50 PORTB3 (7seg_e2) 51 PORTB4 (7seg_lat) 52 PORTE0 /PSWI 53 PORTC0 (Sustain input) 54 TXD UART transmit data (output) 55 RXD UART receive data (input) 56 PLLBP 57 TEST 58 LDOTST 59 IC_ (Voltage detector) 60 VSS
61 ADC_VDD (+3.3V) 62 ADC_VSS (Ground) 63 AN0 Analog input 64 AN1 Analog input (battery check) 65 VSS 66 PLLVSS 67 PLLVDD 68 LDOC 69 LDOVDD 70 LDOVSS 71 VSS 72 XI Crystal input 73 XO Crystal output 74 VSS 75 IOVDD 76 TDO Test data out 77 TCK Test clock 78 TMS 79 TDI Test data in 80 TRST_ Test reset
I determined pin function by tracing signals in the PSR-F50 Service Manual. Yamaha may have changed things a bit in Remie and A50. I have not determined how the USB interface is connected to SWLL in the A50 nor have I even identified the component.
Yamaha PSS-E30 Remie LSI components
For the PSR-F50, the SWLL internal clock is 33.8688MHz and the master clock is 67.7376MHz. The clocks are generated from a 16.9344MHz crystal. All clocks are a multiple of 44,100Hz, the sample frequency. I can’t read the marking on Remie’s crystal, but there isn’t any reason to believe that it differs from F50.
The three digit LED display is both retro and cheap. Remie has the same eleven transistors driving the time-multiplexed seven segment display.
Under software control, transistors Q301 to Q303 (7seg_e0 to 7seg_e2) select one of the three digits.
Transistors Q304 to Q311 drive the individual segments.
Segment status is latched into an eight flip-flop SN74LV273 from the SWL KYB1 to KYB8 pins. The latch clock is produced by SWLL pin PORTB4 (7seg_lat). Note that the KYB pins do double duty as inputs from the keybed.
Whew! That leaves us deep in the weeds! Next time, I’ll outline a few ways to mod the new PSS keyboards.
One of the big benefits of moving out west is time with our grandson. The lad went to Kindermusik as a pre-toddler and already has a good sense of rhythm and an appreciation for music. I dropped a few quick beats with the MODX and he started dancing with a big smile on his face! Editorial: Folks, arts are an essential part of a child’s education.
Last Fall, Yamaha announced a trio of mini-sized PSS keyboards: PSS-E30 (Remie), PSS-F30, PSS-A50. The three products have distinct product markets: young kids, older kids, teens and young adults, respectively. Of course, those are mere marketing constructs since one or more of these ‘boards might appeal to jaded musicians and other folks, too.
Yamaha PSS-E30 Remie
There is another market segment which, perhaps, Yamaha did not explicitly intend — modders, AKA “hacks”. This article will focus on Remie (PSS-E30) as an instrument. I’ve already taken a screwdriver to Remie and will eventually post an article about Remie internals and other topics of interest to hacks.
“Keen On Keys” posted a nicely produced PSS-A50 demo on YouTube. The A50 appeals to musicians who want to put together simple tracks from arpeggios (musical phrases). Looks like fun! The A50 is the only member of the family which can record songs and, most importantly, the only member which sends/receives MIDI over USB. Neither Remie nor the PSS-F30 have a USB interface although they use a micro-B connector for power.
The PSS-F30 is the “Honey I Shrunk the PSR-F50” arranger keyboard. The F30 essentially has the same sounds, styles and songs as the F50/F51. The F30 could be the mini-keyboard for arranger enthusiasts on the go. That said, after taking a peak inside the A50 (see the YouTube demo) and the Remie, the program and waveform memory is quite small and the sound is not up to the same quality level of the current E-series arranger keyboards. Something had to be sacrificed to achieve such a small size, low cost and longer battery life (1.5 Watts versus 6 Watts). YMMV.
Yamaha PSS-E30 Remie
Circling back to Remie… I had to have one, er, buy one for our grandson. Naturally, I needed to check out Remie to make sure that it works on Christmas morning. 🙂 Oh, that includes a peak inside to make sure everything is in its place.
I wish that I could review Remie from a two year-old’s point of view. That review will wait for Christmas day. In the meantime, here’s my take from a musician’s perspective.
The keybed
Remie has 37 mini keys. To my touch, they are indeed the same as the Yamaha Reface series keyboards. I play the Yamaha Reface YC (drawbar and combo organs) at weekly choir rehearsal. I must say, Remie’s keybed feels better than the YC! Maybe I have worn in the YC’s keys or maybe manufacturing quality is better now. Bottom-line, the mini-keys are pretty darned good.
I think the keybed will hold up when kids go to work on it. Our grandson has watched older kids play piano, and he presses keys instead of whacking on them like most kids. [I trust him enough that we play side-by-side on MODX and Genos.] I haven’t been very gentle with the Reface YC and yet, the keys hold up. Parents shouldn’t worry about key quality. The mini-size should be good for kids, too; most adults find these mini-keys cramped.
I have one main complaint with 37 keys: the note range is sometimes too small for some songs. I wish the keybed was 49 keys with middle C in its rightful place. I like to play the left hand part in the two octaves below middle C. With 37 keys, that leaves only one octave above middle C for the melody and I often run out of keys in the right hand.
Remie is no different. Further, Remie does not have octave shift buttons which would alleviate the short range issue somewhat.
Sound
As I mentioned above, voice quality is comparable to early Yamaha portable keyboards, back in the day when waveform (sound) memory was tight. I’m sure Remie is using recycled sounds; that’s why it’s inexpensive.
The voices do not respond to touch. Thus, when you play the keys soft or hard, you get the same volume and timbre. One can make the overall volume louder and softer using front panel buttons. That’s it for dynamics.
So far, I’ve tested Remie through its built-in speaker, headphones (3.5mm stereo) jack and studio monitors. Of course, an 8cm speaker is not going to produce earth-shaking bass. It is adequate for the family room and reproduces the built-in voices surprisingly well. I think Yamaha learned a lesson with Reface and its disappointing built-in stereo speakers. As a result, I always play the YC through JBL Charge 2 speakers, not the YC’s built-in speakers. Unlike Reface, I could actually see myself using Remie’s speaker. BTW, the sound does not distort when pushed to the MAX.
Plugging into the headphone jack turns off the internal speaker. As expected, sound quality improves dramatically through decent headphones or external speakers. Parents should be careful when kids use headphones. Remie can drive headphones painfully loud. Fortunately, there is a “Volume Limit” function that sets the maximum Master Volume level. Parents should definitely set the “Volume Limit” before letting kids use headphones.
Sound quality through studio monitors is quite good! The sound is clear and is comparable to other entry- and mid-range arranger keyboards.
Overall, I’m tempted to take Remie to rehearsal to see if either the F30 or A50 might make a good ultra-portable rehearsal keyboard. I wouldn’t consider playing one of these keyboards in front of a congregation (audience), however. No such quality qualms about the YC which carried me through a few gigs during the move.
Styles and songs
The styles and songs are what we expect from a low-end Yamaha keyboard. The styles are pleasant enough. However, this isn’t a $5,000 Genos. 🙂 The styles do not have A and B sections or auto-fill. I wouldn’t expect kids to be arranging songs unless they are Mozart reincarnated.
The only concerns that I have in this area are operational. Can a young kid figure out how to play a song? Can a youngster play along with a style? I think adult supervision is needed here. I recommend that adults read the manual since operation is not intuitive, especially if you don’t have experience with Yamaha arranger keyboards.
The sound effects (SFX) shouldn’t be too hard to figure out. There are two dedicated front panel buttons to select either the blue kit or the pink kit. Kids shouldn’t have trouble with that.
Remie has a number of deep features controlled by the “FUNCTION” button. This is definitely beyond young kids. Parents should read the manual for more information. Functions include tuning, transpose, metronome, etc.
Yamaha arrangers usually apply effects like reverberation, chorusing, (guitar) distortion and so forth. Musos often complain about too much reverb. I’m happy to report that Yamaha has set the reverb to a pleasant level — a good thing because there isn’t any way to change the amount of reverb. Reverberation appears to be the only effect on Remie.
Musical scales and smart chords
Remie has a Smart Chord feature which is enabled right out of the box. Smart Chord is designed to keep chords within a chosen musical scale, i.e., the C scale AKA “all of the white keys.” Smart Chord lets a kid play one note chords.
If you’re a musician, however, the result may surprise you. Playing a I-IV-V (C-F-G in the C scale) progression sounds right, but hit that VII (B) and uh-oh. The VII chord plays Bm-flat5, the diminished chord. Play with Remie and you may raise a kid with an ear for “interesting” harmonies. Hope you like dissonance. 🙂
BTW, one of the functions sets the Smart Chord key in case you want to play with Smart Chords in some other key than C.
Summary
Well, Remie is a pretty good — although basic — keyboard instrument. It will be interesting to see what young, two year-old hands will do! It’s well-made and is a worthy impulse purchase.
